The Gallery of Portraits: with Memoirs. Volume 2 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 2 (of 7)
Malkin, Arthur Thomas
Biography
Here our praise of this celebrated work must stop. Of its indecencies we
have already spoken. The narrative, though clothed in decent words,
frequently runs in such a strain as no company of women above the lowest
grade of shame would now listen to, much less indulge in. Bad as this
is, a still deeper stain is to be found in the utter absence of all
moral principle, and callousness to all good feeling. Long planned
seduction, breach of hospitality, betrayal of friendship, all these are
painted as fortunate and spirited adventures, and as desirable objects
of attainment. Unlucky husbands are sneered at; jealousy of honour is
censured as stupidity or tyranny. Some of the female characters are even
worse than the male; and the world of the Decameron is one which no man
of common decency or honour could bear to live in. Boccaccio saw the
mischief he had done, and was sorry when it was too late. In a letter to
Mainardo de’ Cavalcanti, Marshal of Sicily, he entreated him not to
suffer the females of his family to read the Decameron; because,
“although education and honour would keep them above temptation, yet
their minds could not but be tainted by such obscene stories.”
He is fond of introducing monks and friars engaged in licentious
pursuits, and exposed to ludicrous and humiliating adventures. He also
at times speaks of the rites of the church in a profane or sarcastic
manner. From this it has been inferred that he was a sceptic or heretic.
The conclusion is erroneous. Like other wits of that ignorant,
superstitious, and debauched age, Boccaccio sneered, reviled, and yet
feared: and while he ridiculed the ministers and usages of the church,
he was employed in collecting relics, and ended his loose tales with
invocations of heaven and the saints. Besides, the secular clergy
themselves bore no love towards the monks and mendicant friars: they
were jealous of the former, and they hated and despised the latter. From
Dante down to Leo X. the dignitaries of the church spoke of friars in
terms nearly as opprobrious as Boccaccio himself. Leo made public jest
of them. Bembo, the secretary of Leo, and a cardinal himself, and Berni,
the secretary to several cardinals, give no more quarter to them than is
given in the Decameron. No wonder then that laymen should take similar
liberties, and that a friar should be regarded, as Ugo Foscolo observes,
as a sort of scape-goat for the sins of the whole clergy. These
considerations may explain how the Decameron went through several
editions, both at Venice and Florence, without attracting the censures
of the Court of Rome. The earliest editions bear the dates of 1471–2,
but these became extremely scarce, since the fanatic Savanarola had a
heap of them burnt in the public square of Florence in 1497. Of the
Valdarfer edition of 1471, only one copy is known to exist. This has
long been an object of interest to book collectors; and was purchased,
at the Roxburgh sale, by the Marquis of Blandford, for the enormous sum
Public-domain text, read in full here on John Shaqi.
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