The Gallery of Portraits: with Memoirs. Volume 4 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 4 (of 7)
Malkin, Arthur Thomas
Biography
Virginio Ariosto left several curious memoranda of his father’s habits,
which are given by Barotti. He was tall, of a robust and naturally
healthy frame, and a good pedestrian. One summer’s morning he strayed
out of Carpi, near Reggio, where he then resided, in his morning gown
and slippers, to take a walk. Being absent in thought, he had gone more
than half way to Ferrara before he recollected himself; and then
continued his route, and arrived at Ferrara in the evening, having
walked a distance of at least forty miles. He was generally frugal, and
not choice in his meals, though at times he ate much and hurriedly,
because, his son says, he was not then thinking of what he was doing,
being busy in his mind about his verses or about his plans for building.
One day a visiter appeared just after he had dined. While they were
conversing, the servant brought up dinner for the stranger; and, as the
latter was engaged in talking, Ariosto fell on the viands laid on the
table, and ate all himself, the guest of course not presuming to
interrupt him. After the visiter was gone, Ariosto’s brother
remonstrated with him on his inhospitable behaviour, when the poet,
coming to himself, exclaimed, “Well, it is his fault, after all; why did
he not begin to eat his dinner at once?”
The Italians have bestowed on Ariosto the epithet of “the Divine,” and
they also call him “the Homer of Ferrara.”
The character of Ariosto may be easily gathered from this brief sketch
of his life. He was trustworthy, loyal, and sincere, free from envy or
jealousy, and a warm friend; he was fond of meditation and retirement,
often absent and absorbed in thought, and yet he could be very pleasant
and jovial in company. He was not a great reader, and he selected the
Latin classics in preference to other authors. He studied men and nature
more than books. Of Greek he acquired some knowledge late in life. He
was very fond of architecture, and regretted that his means did not
permit him to satisfy his passion for building. He also took pleasure in
gardening, but he was too absent and impatient to prosper in that
occupation. His character, by his own confession, was stained by
licentious amours: and his works are tainted by impure passages, which
render them unfit for indiscriminate perusal. Still this is the fault of
detached passages, not of the general spirit or object of his
compositions; and if judged in comparison with his contemporaries, he
will not be severely censured as an immoral writer.
Public-domain text, read in full here on John Shaqi.
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