The Gallery of Portraits: with Memoirs. Volume 4 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 4 (of 7)
Malkin, Arthur Thomas
Biography
The Satires of Ariosto are seven in number; they are addressed to his
brothers and other friends. As the author did not intend them for
publication in his lifetime, he expressed himself freely in them, and
related many curious particulars of his history. They were first
published in 1534, and have been often reprinted, both separately and
with the rest of his works. They have been twice translated into
English, by Robert Toft in 1608, and by Croker in 1759. Ariosto is one
of the best Italian satirists. He has followed the Horatian model; he
corrects without too much bitterness or scurrility. He reprobates the
vices of his age and country, and they were many and great. He speaks of
popes, princes, and cardinals, of the learned and the unlearned, of
clergymen and laymen, of nobles and plebeians, with great freedom, but
without violence or exaggeration, and in language generally, though not
always, decorous. Ariosto’s satires deserve to be more generally read
than they are, both as a mirror of the times, and as a model of that
species of composition which, from the pens of ill-tempered or vulgar
men, has too often assumed a tone of malignancy and licentiousness
equally remote from justice and truth.
Besides the Orlando Furioso, his comedies, and his satires, Ariosto left
some minor works, in Italian and in Latin verse, such as epigrams,
canzoni, sonnets, capitoli in terza rima, and other lyrics; and a
curious Latin eclogue, which long remained inedited, composed in 1506,
on the occasion of a conspiracy against the life of Duke Alfonso by his
two brothers, Ferrante and Giulio. He also wrote a dialogue in Italian
prose, called “l’Erboleto,” on medicine and philosophy. We have no other
works of his in prose, except one or two letters; his correspondence,
which probably was extensive, has never been collected.
The number of commentators, critics, and biographers of Ariosto is very
great: a complete collection of them would form a considerable library.
Some of the best have been mentioned in this sketch. We must add
Baruffaldi, junior, who wrote a life of Ariosto, Ferrara, 1807, and
Count Mazzuchelli, who has given a good biography of him in his
“Scrittori d’Italia.”
[Illustration:
[House of Ariosto at Ferrara.]
]
[Illustration]
MARLBOROUGH.
Public-domain text, read in full here on John Shaqi.
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