The Gallery of Portraits: with Memoirs. Volume 4 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 4 (of 7)
Malkin, Arthur Thomas
Biography
there is but one step, he determined to make Orlando run mad with
jealousy, on discovering that Angelica had eloped with a young and
handsome, but obscure squire, of the name of Medoro, for whom she
forgets all the objects of her journey to the west, and despises the
sighs of Orlando and the other renowned paladins of Charlemagne’s court.
Ariosto styled his poem “Orlando Furioso,” and he wrote it at first in
forty cantos, which he afterwards increased to forty-six. Orlando’s
madness runs through the greater part of the poem, until he is restored
to reason by his cousin Astolpho, who brings back his wits in a phial
from the moon. Meantime the principal action of the poem, namely, the
war between Charlemagne and the Saracens, continues throughout, and ends
with the final expulsion of the Moors from France, and the death of
their great champion Rodomonte, whose death, like that of Turnus in the
Æneid, closes the poem. But it would be idle to look for the unity and
the consecutiveness of epic action, as some critics have done, in a poem
which is not an epic. There are many actions in the Furioso, all
skilfully interwoven together, and making in the end an harmonious
whole; but during their progress, the reader finds himself often lost as
in a labyrinth, and perplexed how to recover the thread of his
recollections. And yet the beauties of description, the fine touches of
character and feeling, are so many, that we wander on delighted, as
pilgrims who have strayed into an enchanted world, and then gaze, and
wonder, and idle along, thoughtless of the end or purport of their
journey.
Ariosto was employed for ten years about his poem, from his first
beginning to the completion of it in forty cantos. It was printed at his
own expense, at Ferrara, in April, 1516, by Mazocco del Bondeno, in one
volume quarto. He sold one hundred copies of this first edition to the
bookseller, Gigli, for twenty-eight scudi, being at the rate of about
fifteen pence a copy, on condition that the bookseller should not sell
the copies for more than twenty pence each. This edition is now
extremely rare.
Public-domain text, read in full here on John Shaqi.
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