The Gallery of Portraits: with Memoirs. Volume 5 (of 7)Malkin, Arthur Thomas
Religion
The Gallery of Portraits: with Memoirs. Volume 5 (of 7)
Malkin, Arthur Thomas
Biography
His residence was varied, though his favourite studies do not appear to
have been interrupted, by an invitation to undertake the care of the
late Lord Spencer, then a boy of seven years old. This was in 1765. The
next five years he spent with his pupil chiefly at Harrow, and
occasionally at Althorp, or in London, or on the continent. It appears
from the college books that he resided at Oxford very little in the
years 1766, 1767, and 1768. Wherever he was, his time was diligently
employed, not only in his severer studies, but in the pursuit of
personal accomplishments and the cultivation of valuable acquaintances,
especially with those who, like himself, were attached to the
investigation of Eastern languages and science. In 1768 he received a
high, but an unprofitable compliment, in being selected to render into
French a Persian Life of Nadir Shah, transmitted to the English
government by the King of Denmark for the purpose of translation. To
this performance, which was printed in 1770, Mr. Jones added a ‘Treatise
on Oriental Poetry,’ in which several of the odes of Hafiz are
translated into verse. This also was written in French; and it has
justly been observed by a French writer in the ‘Biographie Universelle,’
that the occurrence of some imperfections of style ought not to
interfere with our forming a high estimate of the talents of a man who,
at the age of twenty-two, possessed the varied qualifications and
recondite acquirements displayed in this work. By the end of the same
year, 1770, the author finished his ‘Commentaries on Asiatic Poetry,’ a
Latin treatise, which for its style is commended by the competent
authority of Dr. Parr; and which has also obtained high praise for the
taste and judgment displayed in selecting and translating the passages
by which the text is illustrated. It was not printed till 1774.
Public-domain text, read in full here on John Shaqi.
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