The Gallery of Portraits: with Memoirs. Volume 5 (of 7)Malkin, Arthur Thomas
Religion
The Gallery of Portraits: with Memoirs. Volume 5 (of 7)
Malkin, Arthur Thomas
Biography
Jones’s own words, was “to find a
person who, with a competent knowledge of the Sanscrit and Arabic, has a
general acquaintance with the principles of jurisprudence, and a
sufficient share even of legislative spirit, to arrange the plan of a
digest, superintend the compilation of it, and render the whole, as it
proceeds, into perspicuous English. Now (he continues), though I am
truly conscious of possessing a very moderate portion of those talents
which I should require in the superintendent of such a work, yet I may
without vanity profess myself equal to the labour of it;—and I cannot
but know that the qualifications required, even in the low degree in
which I possess them, are not often found united in the same person.”
The proposal of course was eagerly accepted. That he should have
acquired the necessary acquaintance, first with the language, then with
the law, in the space of four years and a half, is sufficiently
remarkable; and the method in which he proposed to execute it will
startle those who know the enervating influence of a tropical climate.
“I should be able,” he says, “if my health continued firm, to translate
every morning, before any other business is begun, as much as the
lawyers could compile, and the writers copy, in the preceding day.” The
quantity of work which Jones did in India was indeed astonishing; but he
was a severe economist of time, and even his hours of recreation were
rendered serviceable to the increase of knowledge. Botany especially was
a favourite pursuit of his more leisure hours; and his correspondence
with Banks and others shows at once the zeal with which, when duty would
permit, he followed that fascinating science, and the readiness with
which he communicated his own discoveries to his friends, and laboured
to answer their inquiries. Nor did he neglect poetry. Several odes to
Hindoo deities, originally published in the Asiatic Miscellany, will be
found in his works; and these, with an elegant and cultivated fancy,
display considerable power of composition. He projected a more serious
undertaking,—an epic poem, of which a Phœnician colonist of Britain was
to be the hero, and the Hindoo mythology was to furnish the machinery:
the whole being an allegorical panegyric on the British constitution,
and furnishing the character of a perfect King of England. But the
extravagant fictions of the Hindoo religion have never proved
permanently popular in an English dress; and there is no reason to
regret that this scheme never advanced beyond its first sketch. The
author made a more acceptable present to European literature in
translating ‘Sacontala, or the Fatal Ring,’ a very ancient Indian drama,
which contains a lively, simple, and pleasing picture of the manners of
Hindustan at a remote age. It is ascribed to the first century before
Christ.
Public-domain text, read in full here on John Shaqi.
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