The Gallery of Portraits: with Memoirs. Volume 5 (of 7)Malkin, Arthur Thomas
Religion
The Gallery of Portraits: with Memoirs. Volume 5 (of 7)
Malkin, Arthur Thomas
Biography
Montaigne has been also censured for several licentious and some cynical
passages of his ‘Essais.’ This licentiousness, however, is rather in the
expressions than in the meaning of the author. He spoke plainly of
things which are not alluded to in a more refined state of society, but
he did so evidently without mischievous intentions, and as a thing of
common occurrence in his days. His early familiarity with the Latin
classics probably contributed to this habit.
Notwithstanding these faults, Montaigne’s Essays are justly admired for
the sound sense, honesty, and beauty which abound in them. ‘The best
parts of them (says a French critic) are those in which he speaks of the
passions and inclinations of men; as for his learning, it is vague, not
methodical, and uncertain; and his philosophical maxims are often
dangerous.’ (Mélanges d’Histoire et de Litterature,’ Rouen, 1699, tom.
i. p. 133.) Montaigne combats most earnestly all the malignant feelings
inherent in man, inhumanity, injustice, oppression, uncharitableness;
cruelty he detests, his whole nature was averse from it. His chapters on
pedantry and on the education of children are remarkably good. He
throws, at times, considerable light on the state of society and manners
in France in his time, which may be considered as the last period of
feudal power in that country. In his chapter on the inequality among
men, he speaks of the independence of the French nobility, especially in
the provinces remote from the Court, as Britanny; where the feudal lords
living on their estates, surrounded by their vassals, their officers and
valets, their household conducted with an almost royal ceremonial, heard
of the king but once a-year as if he were some distant king or Sultan of
Persia, and only remembered him on the score of some distant
relationship, which they hold carefully registered among their ancestral
documents.
Mademoiselle de Gournay edited Montaigne’s ‘Essais’ in 1635, and
dedicated the edition to the Cardinal de Richelieu. She wrote a long
preface to it, which is a zealous apology for Montaigne and his works
against the charges of the earlier critics. An edition of the ‘Essais’
was published by Pierre Coste, 3 vols. 4to. London, 1724, enriched with
valuable notes and several letters of Montaigne at the end of the third
volume. The edition of Paris, 3 vols. 4to. 1725, is, in great measure, a
reprint of that of Coste, except that the publishers have added extracts
of the various judgments of the most distinguished critical writers
concerning the ‘Essais,’ and also two more letters of Montaigne’s at the
end. These additions render this Paris edition the most complete. The
ex-senator Vernier published in 1810, ‘Notices et Observations pour
faciliter la Lecture des Essais de Montaigne,’ Paris, 2 vols. 8vo. It is
a useful commentary.
[Illustration]
POPE.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account