The Gallery of Portraits: with Memoirs. Volume 6 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 6 (of 7)
Malkin, Arthur Thomas
Biography
Edmund Cartwright was the fourth son of William Cartwright, Esq., of
Marnham in Nottinghamshire, a gentleman whose family had been long
established in the county, and had suffered considerably in its fortune
by adherence to the cause of Charles I. in the civil war. He was born
April 24, 1743; and at the school of Wakefield, and at University
College, Oxford, received the education usually bestowed upon young men
destined for the clerical profession. At an early age he manifested a
taste for poetic composition; but though he had printed some short
pieces anonymously, his name was not given to the public, until the
appearance, in 1770, of ‘Armenia and Elvira,’ a legendary poem, which
became so popular that it passed through seven editions in little more
than a year. He also published, about the same period, the ‘Prince of
Peace,’ and ‘Sonnets to Eminent Men.’ In 1774 he became a contributor to
the Monthly Review, in which he continued to write for ten years.
We have not ascertained the date of his taking orders, of his election
to a fellowship at Magdalen College, or of his vacating that fellowship
by marriage. The degree of D.D. he took in 1806. For some years after
his marriage he resided, first on his living at Brampton in Derbyshire,
and afterwards at Goadby-Marwood in Leicestershire; where the hours
which were not devoted to the duties of his calling were chiefly
employed in literary pursuits.
Hitherto Mr. Cartwright’s private life had been that of a retired
country clergyman, varied only by his correspondence with literary
friends. From his family connexions, and the esteem in which he was held
by some who had power to advance him, his prospects in the church were
favourable; and he had good reason to believe, that if he had confined
himself to the line of life in which he had been educated, and in which
he was then advancing, he would have attained a more ample provision in
his profession, than it was his lot to acquire by the exercise of his
mechanical talent. The existence of such a talent in his own mind had
been wholly unknown even to himself, until he was upwards of forty years
of age, when the circumstance which has been above narrated called it
into action, and caused a change in the whole tenor of his life. In his
first attempts he had to contend with the difficulties which usually
beset genius without experience. “As I had never before turned my
thoughts to anything mechanical, either in theory or practice, nor had
even seen a loom at work, or knew anything of its construction, you will
readily believe that my first loom was a most rude piece of machinery.
The warp was placed perpendicularly; the reed fell with the weight of at
least half a hundred weight, and the springs which threw the shuttle
were strong enough to have thrown a Congreve rocket. In short, it
required the strength of two powerful men to work the machine at a slow
rate, and only for a short time.” This, as we have seen, was in 1785: he
Public-domain text, read in full here on John Shaqi.
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