The Gallery of Portraits: with Memoirs. Volume 6 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 6 (of 7)
Malkin, Arthur Thomas
Biography
In the spring of 1800, Bonaparte’s absence upon the campaign of Marengo,
and the publication of her work on literature, brought Mad. de Stael
again into fashion. From that time until 1802, she remained undisturbed,
and divided her time chiefly between Paris, and her father’s residence
at Coppet, on the Lake of Geneva. In the latter year (in which she
published ‘Delphine’) her intimacy with Bernadotte caused the First
Consul to regard her with suspicion, though the dread of being banished
from the delights of Parisian society had taught her prudence. “They
pretend,” he said, “that she neither talks politics, nor mentions me;
but I know not how it happens, that people seem to like me less after
visiting her.” Prudence, or the warning of her friends, detained Mad. de
Stael at Coppet during the winter of 1802–3: but when war broke out, and
she thought that Bonaparte’s attention was fully occupied by the
proposed descent upon England, she could not resist the thirst of
conversation which always drew her to Paris. She did not venture to
enter the city; but she had not been long in its neighbourhood, when she
was terribly disconcerted by a peremptory order not to appear within
forty leagues of the metropolis. She candidly avows that “la
conversation Française n’existe qu’à Paris, et la conversation a été,
depuis mon enfance mon plus grand plaisir.” The rest of France,
therefore, had no attraction for her, and she determined to visit
Germany. Weimar was her first place of abode, where she became
acquainted with Goethe, Wieland, and Schiller, and, under their
auspices, commenced her study of the German language and literature. In
1804, she proceeded to Berlin; but she was suddenly recalled to
Switzerland by the illness and death of M. Necker.
Public-domain text, read in full here on John Shaqi.
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