He first attempted to gain a livelihood in the capacity of usher to a school at Market-Bosworth, in Leicestershire. For that laborious and dreary task he was eminently unfit, except by talent and learning, and he soon quitted a situation which he ever remembered with a degree of aversion amounting to horror. After his marriage he tried the experiment of keeping a boarding-house, near Lichfield, as principal, with little better success. From Bosworth he went to Birmingham, in 1733, where he composed his first work, a translation of the Jesuit Lobo’s Voyage to Abyssinia. He gained several kind and useful acquaintance in the latter town, among whom was Mr. Porter, a mercer, whose widow he married in 1735. She was double his age, and possessed neither beauty, fortune, nor attractive manners, yet she inspired him with an affection which endured, unchilled by the trials of poverty, unchanged by her death, even to the end of his own life, as his private records fully testify. She died in 1752. In March, 1737, Johnson set out for the metropolis, in hopes of mending his fortunes, as a man of letters, and especially of bringing on the stage his tragedy of Irene. It was long before his desires were gratified in either respect. Irene was not performed till 1749, when his friend and former pupil, Garrick, had the management of Drury-Lane. Garrick’s zeal carried it through nine nights, so that the author, in addition to one hundred pounds from Dodsley for the copyright, had the profit of three nights’ performance, according to the mode of payment then in use. The play however, though bearing the stamp of a vigorous and elevated mind, and by no means wanting in poetical merit, was unfit for acting, through its want of pathos and dramatic effect: and Johnson perhaps perceived his deficiency in these qualities, for he never again wrote for the stage. Garrick said of his friend, that he had neither the faculty to produce, nor the sensibility to receive the impressions of tragedy: and his annotations upon Shakspeare confirm this judgment. His first employment after his arrival in London, was as a frequent contributor to the Gentleman’s Magazine, from which, during some years, he derived his chief support. This was a period of labour, poverty, and often of urgent want. Sometimes without a lodging, sometimes without a dinner, he became acquainted with the darker phases of a London life; and among other singular characters, a similarity of fortunes made him acquainted with the notorious Richard Savage, whom he regarded with affection, and whose life is one of the most powerful productions of Johnson’s pen.