Frederick Christopher von Schiller was born at Marbach, in the duchy of Wurtemburg, November 10, 1759. His father held the rank of captain in the service of the duke, and was in fortune so low, that he was glad to place his son, in 1773, after an ordinary school-education, in the ducal academy of Stuttgard, which, partaking of an eleemosynary character, subjected the pupils to military discipline, though training for arts and professions called liberal. Schiller had early in life manifested the sensibilities common to the religious and poetic temperament, but was compelled to forego the study of theology, because this institution made no provision for it. He began with law, but finally went through a course of medical study, so as to obtain the post of regimental surgeon in 1780. These pursuits were against his inclination. During eight years, as he said, his genius was in conflict with military subjection. He ought rather to have said, that thereby his genius received the direction which determined the course of his life. For it was while under the sad impressions produced by a life of restraint within the walls of the academy, that he composed his tragedy of The Robbers, which he found means to print in 1781. Germany was at that period without a national theatre; scarcely half-a-dozen original stock-plays could be now produced which were then popular. Hence this juvenile work, with all its faults and extravagances (perhaps on account of these), was received with a tumult of applause in many parts of Germany. He was invited to adapt it to the stage, and it was performed the following year at Manheim. Of this most faulty and most famous maiden-play, it will be sufficient to remark that it exhibits, in over-charged colours, relations of life and character most likely to strike a youthful imagination. It represents in contrast two brothers. One, originally noble and heroic, becomes the perpetrator of those crimes against society, which law punishes with its severest penalties. The other betrays a character far more odious and revolting to the moral sense of mankind. The result is a catastrophe of appalling horror. The young poet solicited for leave of absence to witness the representation of his first play, which was refused him. He therefore, in defiance, made a journey to Manheim, and was punished by a fortnight’s arrest in his own house. He was also found guilty of having in his play uttered a national reflection on the people of the Grisons. For this he was reprimanded, ordered by his sovereign not to write on any subject but medicine, or at least to submit any literary work to the inspection and correction of his Serenity, and threatened with imprisonment in a fortress. While he was compelled to submit to a tyranny so humiliating, he learned that beyond the limits of the petty state to which he belonged, his work was the subject of loud and even extravagant applause. After a severe