Venice is beautiful in the morning and exquisite in the twilight, but
it is at night that the mystery of Venice--that most subtle of its many
charms--enwraps and envelops it like a magic web. There is nothing in
Europe to rival the literal, tangible romance of Venice at night: the
faint, idle, infinitely suggestive lap of water against a thousand
unseen steps; the secret darkness, revealed rather than dispersed by
the furtive, uneven lights shed forth from windows or open doors; the
throb of music that seems woven into the picture--an inseparable,
integral part of the enchanted life. All is a wonder and a joy.
To Clodagh, with her inherent love of things mystic and beautiful, the
scene was curiously impressive. In an ecstasy of appreciation, she
stood drinking it in; then, suddenly touched with the warm desire of
sharing her sensations, she turned to her companion.
"Isn't it--wonderful?" she said below her breath.
Serracauld looked at her for a moment in puzzled doubt; then he smiled
indulgently.
"Yes!" he said vaguely. "Yes! It is rather great--the water and the
gondolas and--and all that sort of thing----"
Her large, clear eyes rested on his face, then slowly returned to their
scrutiny of the canal. A momentary sense of disappointment had assailed
her--she was conscious of a momentary jar. But as she stood, silent and
uncertain, a burst of low, throbbing music broke across the darkness,
and at the same moment she became conscious of a large gondola gliding
up to the hotel steps.
With the excitement of anticipation, the cloud passed from her face.
"Come!" she cried--"come! I see Mr. Barnard."
It was at the head of the flight of stone steps leading to the water,
that Lord Deerehurst was introduced to her; and in the semi-darkness,
it struck her that he made a distinctly interesting figure, with his
black hair worn a shade lower on the forehead than modern fashion
permits; his pale, aristocratic, unemotional face; his cold,
penetrating eyes; and the somewhat unusual evening clothes that fitted
his tall figure closely and, by a clever touch of the tailor's art,
conveyed the suggestion of a period more picturesque than our own. She
studied him with deep attention; and bent her head in gratified
acknowledgment of the profound bow with which he marked the
introduction. A moment later, he offered her his hand, and himself
assisted her to the waiting gondola.
With a pleasant, excited sense of dignity and importance, she passed
down the steps and entered the boat, noting, as she took her seat, its
costly and elaborate fittings and the sombre livery of the two
gondoliers; then, as she leant back against the cushions, her eyes
passed back interestedly to the three men to whom she owed the night's
adventure.
Public-domain text, read in full here on John Shaqi.
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