Regardless of Milbanke's monosyllabic answers, she kept up a stream of
conversation; and at last, when she rose with the general company, she
did not leave the room, but paused with her hand on the back of his
chair.
"I am going for my cloak, James," she said. "Mr. Barnard is to call for
me. Shall we say good-night now?" Her face, as she bent forward,
leaning over his shoulder, was filled with a bright preoccupation.
The scene was no new one--nor was its lesson new. It merely expounded
the eternal disparity between the present generation and the past. On
the one hand, was the patient surrender of the being who has known life
with its poor compensations and its tardy requitals; on the other, the
impatience, the ardour, the egotism of the being who longs to
understand, to tear the bandage from his blind, curious eyes, to shake
the fetters from his eager, groping hands. It was a scene that is
enacted every day of every year by fathers and daughters, mothers and
sons. A scene in which, daily and yearly, a merciful nature mitigates
the tragic truth by means of a blessed sanity--an instinctive
renunciation. But this was no case for natural healing balm; this was
no case of father and daughter, but of husband and wife.
"Shall we say good-night?" Clodagh asked again.
Milbanke started and looked up; and something in her warm
beauty--something in her gracious youth affected him.
"Clodagh," he said timidly. "Clodagh, are you--are you very anxious?
Will you enjoy this party very much?"
Clodagh looked down on him in frank surprise.
"Why, of course!" she said. "Why do you ask?"
His gaze wavered before her level glance. He looked round at the fast
emptying room.
"No reason, my dear!" he murmured--"no reason, I assure you! Go to your
party. Enjoy yourself!"
At his words she bent quickly and brushed his forehead with her lips,
but so lightly, so unthinkingly that the act was valueless.
"Good-night!" she said--"good-night, James! And thank you!"
She straightened herself quickly; and with a mind already speeding
feverishly forward towards the night's amusement, she turned and walked
out of the room.
It was nine o'clock when she and Barnard arrived at the Palazzo
Ugochini, and already the deep purple of the Venetian night was
wrapping the waterways in mysterious shade. But to-night she was less
absorbed in outward things. An engrossing idea occupied her mind. She
felt at once surer--and less sure--of herself than she had felt the
night before.
The time occupied in reaching the palace and mounting the marble steps
seemed to her very brief; and almost before she realised that the
moment had come, she heard her own and Barnard's names announced by
Lady Frances Hope's English servant.
Public-domain text, read in full here on John Shaqi.
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