Her only tangible sensations were anger and self-contempt. The thought
that Serracauld, who had seemed less than nothing in the scheme of her
life--Serracauld, with whom she had laughed and jested and flirted
because he was a boy and of no account--should have treated her
lightly; should have presumed to kiss her, to seize her violently in
his arms, was something shameful and intolerable. The simplicity of her
upbringing--the uncontaminated childhood that her country had given
her--rose to confront her in this newest crisis. Vain, frivolous,
foolish she might be, but beneath the vanity, the frivolity, the folly,
she was--and always had been--good, in the primitive, fundamental sense
of the word.
She hurried down the corridor, and down the staircase that she had
ascended so short a time before; but, reaching the ground floor, she
did not turn towards the ballroom, from which the sound of the violins
still floated. Instinctively, she moved in the opposite direction,
towards the quieter portion of the house in which stood the music-room.
The door of the room was closed when she reached it, and no sound came
to her from within. For a space she stood hesitating outside; then the
distant murmur of talk and laughter roused her to action. Her hesitancy
fled before her distaste for companionship. She raised her hand and
noiselessly opened the door.
To enter the music-room was to enter a region of romance. For, as the
card-room upstairs suggested the world and the things of the world,
this room seemed to embrace all the repose, all the dignity, all the
peace that such places as Tuffnell gather unto themselves with the
passage of time. It was a long, low-ceiled room with wainscoted walls
and a polished oak floor; and the first object that met the visitor's
eye, was an old harpsichord, mutely eloquent of bygone days; for, with
rare good taste, Lady Diana had hidden her piano behind a tapestry
screen, worked many centuries ago by another lady of the house. Even on
this night of festivity, the place retained its peculiar quiet; only
half a dozen candles burned in the sconces that hung upon the walls;
and the scent of lavender and dried rose-leaves lingered upon the air.
It seemed what it was--a room in which, for numberless generations,
women of refinement had made music, read poetry or sung songs, while
they wove about them the indescribable atmosphere of home.
And into this room Clodagh stepped, her heart burning, her mind
distressed, pained, and hurt.
For an instant she paused upon the threshold, overwhelmed by the
contrast between the aloofness, the graceful repose of the place, and
tumult of her own thoughts; then, yielding to the spirit of peace, she
closed the door resolutely and went forward into the room.
But at sound of the closing door, at sound of her dress upon the
polished floor, an answering sound came from behind the tapestry
screen--the noise of a chair being quietly pushed back--of some one
rising to his feet.
Public-domain text, read in full here on John Shaqi.
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