"Then be polite to him. And now go, like a good child. Don't ask any
more questions. Don't say anything. Let me see you when you're dressed,
and I'll give you a letter for Walter. I'm afraid I can't dine with
you; I'll just have something sent in here." Then, as if in sudden
remorse, she put her arms about Nance's neck and drew her close to her.
"Darling, forgive me, if I seem impossible!"
At half-past eight Nance left the house, having shown herself to her
sister, made a last loving inquiry as to her health, and taken
possession of the note for Gore.
As she passed out of the bedroom, Clodagh threw off the fur rug that
lay across her feet, and sat up with an expression of sharp attention.
As the sound of the closing hall door reached her ears, she drew a
little breath of excitement and rose from the couch with no appearance
of her recent indisposition.
Without calling in Simonetta, she changed from the white silk wrapper
she was wearing into a black walking-dress, and crossing to one of the
wardrobes took out a black hat and veil.
She scarcely looked at herself, as she smoothed her hair and fastened
on her hat. Beneath the enforced repression of the afternoon, there
burned in her mind a certain sense of adventure--of enterprise--that
turned her hot and cold. For though the Irish nature may procrastinate,
it takes action with a very keen zest when once circumstance has
compelled a decisive step.
Having finished her dressing, she picked up a pair of gloves, switched
off the electric light, and left the room. In the corridor outside she
met one of the maids; but without giving the woman time to show any
surprise, she made haste to offer an explanation.
"I have forgotten to tell Miss Asshlin something of importance," she
said. "I shall have to drive to the theatre and see her. Please ring
for the lift. The porter will find me a cab." And without waiting to
observe the effect of the somewhat disjointed statement, she passed to
the hall door.
A few minutes later the hall porter had put her into a hansom, telling
the cabman to drive to the Apollo Theatre.
While the cab doors were being closed, and the order given, Clodagh sat
very still; and for a few minutes after they had started, she lay back
in her seat, watching the familiar succession of lights and trees and
indistinct massed faces that form the nightly picture between
Knightsbridge and Piccadilly; but at last, as Hyde Park Corner loomed
into view, she sat upright, and raising her hand, shook the roof trap.
The cabman checked the pace of his horse and, opening the little door,
looked down.
"Don't mind the Apollo," she said. "Drive to Carlton House Terrace
instead."
The man muttered an assent, and, wheeling his horse to the right, cut
across the traffic.
Public-domain text, read in full here on John Shaqi.
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