Africa, North -- Fiction; British -- Africa, North -- Fiction; Love stories; Married women -- Fiction
“Monsieur the Count paid much money for the dog,” murmured Smain. “He is
very valuable.”
“How long has he been there?”
“For many years. He was there when I was born, and I have been married
twice and divorced twice.”
Domini turned from the window and looked at Smain with astonishment. He
was smelling his rose like a dreamy child.
“You have been divorced twice?”
“Yes. Now I will show Madame the smoking-room.”
They followed another of the innumerable alleys of the garden. This one
was very narrow and less densely roofed with trees than those they had
already traversed. Tall shrubs bent forward on either side of it, and
their small leaves almost meeting, were transformed by the radiant
sunbeams into tongues of pale fire, quivering, well nigh transparent.
As she approached them Domini could not resist the fancy that they would
burn her. A brown butterfly flitted forward between them and vanished
into the golden dream beyond.
“Oh, Smain, how you must love this garden!” she said.
A sort of ecstasy was waking within her. The pure air, the caressing
warmth, the enchanted stillness and privacy of this domain touched her
soul and body like the hands of a saint with power to bless her.
“I could live here for ever,” she added, “without once wishing to go out
into the world.”
Smain looked drowsily pleased.
“We are coming to the centre of the garden,” he said, as they passed
over a palm-wood bridge beneath which a stream glided under the red
petals of geraniums.
The tongues of flame were left behind. Green darkness closed in upon
them and the sand beneath their feet looked blanched. The sense of
mystery increased, for the trees were enormous and grew densely here.
Pine needles lay upon the ground, and there was a stirring of sudden
wind far up above their heads in the tree-tops.
“This is the part of the garden that Monsieur the Count loves,” said
Smain. “He comes here every day.”
“What is that?” said Domini, suddenly stopping on the pale sand.
A thin and remote sound stole to them down the alley, clear and frail as
the note of a night bird.
“It is Larbi playing upon the flute. He is in love. That is why he plays
when he ought to be watering the flowers and raking out the sand.”
Public-domain text, read in full here on John Shaqi.
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