Africa, North -- Fiction; British -- Africa, North -- Fiction; Love stories; Married women -- Fiction
The distant love-song of the flute seemed to Domini the last touch of
enchantment making this indeed a wonderland. She could not move, and
held up her hands to stay the feet of Smain, who was quite content
to wait. Never before had she heard any music that seemed to mean and
suggest so much to her as this African tune played by an enamoured
gardener. Queer and uncouth as it was, distorted with ornaments and
tricked out with abrupt runs, exquisitely unnecessary grace notes,
and sudden twitterings prolonged till a strange and frivolous Eternity
tripped in to banish Time, it grasped Domini’s fancy and laid a spell
upon her imagination. For it sounded as naively sincere as the song of a
bird, and as if the heart from which it flowed were like the heart of
a child, a place of revelation, not of concealment. The sun made men
careless here. They opened their windows to it, and one could see into
the warm and glowing rooms. Domini looked at the gentle Arab youth
beside her, already twice married and twice divorced. She listened to
Larbi’s unending song of love. And she said to herself, “These people,
uncivilised or not, at least live, and I have been dead all my life,
dead in life.” That was horribly possible. She knew it as she felt the
enormously powerful spell of Africa descending upon her, enveloping
her quietly but irresistibly. The dream of this garden was quick with
a vague and yet fierce stirring of realities. There was a murmuring
of many small and distant voices, like the voices of innumerable tiny
things following restless activities in a deep forest. As she stood
there the last grain of European dust was lifted from Domini’s soul. How
deeply it had been buried, and for how many years.
“The greatest act of man is the act of renunciation.” She had just heard
those words. The eyes of the priest had flamed as he spoke them, and she
had caught the spark of his enthusiasm. But now another fire seemed lit
within her, and she found herself marvelling at such austerity. Was it
not a fanatical defiance flung into the face of the sun? She shrank from
her own thought, like one startled, and walked on softly in the green
darkness.
Larbi’s flute became more distant. Again and again it repeated the same
queer little melody, changing the ornamentation at the fantasy of the
player. She looked for him among the trees but saw no one. He must be in
some very secret place. Smain touched her.
“Look!” he said, and his voice was very low.
He parted the branches of some palms with his delicate hands, and
Domini, peering between them, saw in a place of deep shadows an isolated
square room, whose white walls were almost entirely concealed by masses
of purple bougainvillea. It had a flat roof. In three of its sides were
large arched window-spaces without windows. In the fourth was a narrow
doorway without a door. Immense fig trees and palms and thickets of
bamboo towered around it and leaned above it. And it was circled by a
narrow riband of finely-raked sand.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account