Africa, North -- Fiction; British -- Africa, North -- Fiction; Love stories; Married women -- Fiction
The _salle-a-manger_ was large and shady, and was filled with small
tables, at only three of which were people sitting. Four French officers
sat together at one. A small, fat, perspiring man of middle age,
probably a commercial traveller, who had eyes like a melancholy toad,
was at another, eating olives with anxious rapidity, and wiping his
forehead perpetually with a dirty white handkerchief. At the third was
the priest with whom Domini had spoken in the church. His napkin was
tucked under his beard, and he was drinking soup as he bent well over
his plate.
A young Arab waiter, with a thin, dissipated face, stood near the door
in bright yellow slippers. When Domini came in he stole forward to show
her to her table, making a soft, shuffling sound on the polished wooden
floor. The priest glanced up over his napkin, rose and bowed. The French
officers stared with an interest they were too chivalrous to attempt to
conceal. Only the fat little man was entirely unconcerned. He wiped his
forehead, stuck his fork deftly into an olive, and continued to look
like a melancholy toad entangled by fate in commercial pursuits.
Domini’s table was by a window, across which green Venetian shutters
were drawn. It was at a considerable distance from the other guests, who
did not live in the house, but came there each day for their meals. Near
it she noticed a table laid for one person, and so arranged that if he
came to _dejeuner_ he would sit exactly opposite to her. She wondered
if it was for the man at whom she had just been looking through Count
Anteoni’s field-glasses, the man who had fled from prayer in the “Garden
of Allah.” As she glanced at the empty chair standing before the knives
and forks, and the white cloth, she was uncertain whether she wished it
to be filled by the traveller or not. She felt his presence in Beni-Mora
as a warring element. That she knew. She knew also that she had come
there to find peace, a great calm and remoteness in which she could at
last grow, develop, loose her true self from cramping bondage, come
to an understanding with herself, face her heart and soul, and--as it
were--look them in the eyes and know them for what they were, good
or evil. In the presence of this total stranger there was something
unpleasantly distracting which she could not and did not ignore,
something which roused her antagonism and which at the same time
compelled her attention. She had been conscious of it in the train,
conscious of it in the tunnel at twilight, at night in the hotel, and
once again in Count Anteoni’s garden. This man intruded himself, no
doubt unconsciously, or even against his will, into her sight, her
thoughts, each time that she was on the point of giving herself to what
Count Anteoni called “the desert spirits.” So it had been when the train
ran out of the tunnel into the blue country. So it had been again when
she leaned on the white wall and gazed out over the shining fastnesses
of the sun.
Public-domain text, read in full here on John Shaqi.
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