Africa, North -- Fiction; British -- Africa, North -- Fiction; Love stories; Married women -- Fiction
Domini’s height enabled her to peer over the shoulders of those gathered
before the door, and in the lighted distance of a white-walled room,
painted with figures of soldiers and Arab chiefs, she saw a small
wriggling figure between two rows of squatting men, two baby hands
waving coloured handkerchiefs, two little feet tapping vigorously
upon an earthen floor, for background a divan crowded with women and
musicians, with inflated cheeks and squinting eyes. She stood for a
moment to look, then she turned away. There was an expression of disgust
in her eyes.
“No, I don’t want to see children,” she said. “That’s too--”
She glanced at her escort and did not finish.
“I know,” said Batouch. “Madame wishes for the real ouleds.”
He led them across the street. Hadj followed reluctantly. Before going
into this second dancing-house Domini stopped again to see from outside
what it was like, but only for an instant. Then a brightness came into
her eyes, an eager look.
“Yes, take me in here,” she said.
Batouch laughed softly, and Hadj uttered a word below his breath.
“Madame will see Irena here,” said Batouch, pushing the watching Arabs
unceremoniously away.
Domini did not answer. Her eyes were fixed on a man who was sitting in a
corner far up the room, bending forward and staring intently at a woman
who was in the act of stepping down from a raised platform decorated
with lamps and small bunches of flowers in earthen pots.
“I wish to sit quite near the door,” she whispered to Batouch as they
went in.
“But it is much better--”
“Do what I tell you,” she said. “The left side of the room.”
Hadj looked a little happier. Suzanne was clinging to his arm. He smiled
at her with something of mischief, but he took care, when a place was
cleared on a bench for their party, to sit down at the end next the
door, and he cast an anxious glance towards the platform where the
dancing-girls attached to the café sat in a row, hunched up against the
bare wall, waiting their turn to perform. Then suddenly he shook his
head, tucked in his chin and laughed. His whole face was transformed
from craven fear to vivacious rascality. While he laughed he looked at
Batouch, who was ordering four cups of coffee from the negro attendant.
The poet took no notice. For the moment he was intent upon his
professional duties. But when the coffee was brought, and set upon a
round wooden stool between two bunches of roses, he had time to note
Hadj’s sudden gaiety and to realise its meaning. Instantly he spoke to
the negro in a low voice. Hadj stopped laughing. The negro sped away
and returned with the proprietor of the café, a stout Kabyle with a fair
skin and blue eyes.
Public-domain text, read in full here on John Shaqi.
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