Horses -- Fiction; Religion -- Fiction; Western stories
The singing took on body and form as the pitch rose.
"There is a death," repeated David. "Abraham is dead, the oldest and the
wisest of my servants. The Lord gave and the Lord has taken away. Glory
to His name!"
Ruth was touched to the heart.
"I am sorry," she said simply.
"Let us rejoice, rather, for Abraham is happy. His soul is reborn in a
young body. Do you not hear them singing? Let us ride on."
He kept his head high and a stereotyped smile on his lips as the horses
sprang into a gallop--that breath-taking gallop which made the spirit of
the girl leap; but she saw his breast raise once or twice with a sigh.
It was the stoicism of an Indian, she felt, and like an Indian's was the
bronze-brown skin and the long hair blowing in the wind. The lake was
beside them now, and dense forest beyond opening into pleasant meadows.
She was being carried back into a primitive time of which the type was
the man beside her. Riding without a saddle his body gave to the swing
of the gallop, and she was more conscious than ever of physical
strength.
But now the hoofs beat softly on the lawn terraces, and in a moment they
had stopped before the house where the death had been. She knew at once.
The empty arch into the patio of the servants' house was eloquent, in
some manner, of the life that had departed. Before it was the group of
singers, all standing quiet, as though their own music had silenced
them, or perhaps preparing to sing again. Connor had described the old
servant, but she was not prepared for these straight, withered bodies,
these bony, masklike faces, and the white heads.
All in an instant they seemed to see her, and a flash of pleasure went
from face to face. They stirred, they came toward her with glad murmurs,
all except one, the oldest of them all, who remained aloof with his arms
folded. But the others pressed close around her, talking excitedly to
one another, as though she could not understand what they said. And she
would never forget one who took her hand in both of his. The touch of
his fingers was cold and as dry as parchment. "Honey child, God bless
your pretty face."
Was this the formal talk of which Connor had warned her? A growl from
David drove them back from her like leaves before a wind. He had slipped
from his horse, and now walked forward.
"It is Abraham?" he asked.
"He is dead and glorious," answered the chorus, and the girl trembled to
hear those time-dried relics of humanity speak so cheerily of death.
The master was silent for a moment, then: "Did he leave no message for
me?"
In place of answering the group shifted and opened a passage to the one
in the rear, who stood with folded arms.
"Elijah, you were with him?"
"I heard his last words."
"And what dying message for David?"
"Death sealed his lips while he had still much to say. To the end he was
a man of many words. But first he returned thanks to our Father who
breathed life into the clay."
Public-domain text, read in full here on John Shaqi.
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