The Garden Party, and Other StoriesMansfield, Katherine
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The Garden Party, and Other Stories
Mansfield, Katherine
New Zealand -- Social life and customs -- Fiction; Short stories, New Zealand
“Oh, my dear—the stewardess!” said Janey. “What would he have felt? And
besides... he might have wanted to leave a message... to—”
“Didn’t he?” muttered Hammond. “Didn’t he say anything?”
“No, darling, not a word!” She shook her head softly. “All the time I
was with him he was too weak... he was too weak even to move a
finger....”
Janey was silent. But her words, so light, so soft, so chill, seemed to
hover in the air, to rain into his breast like snow.
The fire had gone red. Now it fell in with a sharp sound and the room
was colder. Cold crept up his arms. The room was huge, immense,
glittering. It filled his whole world. There was the great blind bed,
with his coat flung across it like some headless man saying his
prayers. There was the luggage, ready to be carried away again,
anywhere, tossed into trains, carted on to boats.
... “He was too weak. He was too weak to move a finger.” And yet he
died in Janey’s arms. She—who’d never—never once in all these
years—never on one single solitary occasion—
No; he mustn’t think of it. Madness lay in thinking of it. No, he
wouldn’t face it. He couldn’t stand it. It was too much to bear!
And now Janey touched his tie with her fingers. She pinched the edges
of the tie together.
“You’re not—sorry I told you, John darling? It hasn’t made you sad? It
hasn’t spoilt our evening—our being alone together?”
But at that he had to hide his face. He put his face into her bosom and
his arms enfolded her.
Spoilt their evening! Spoilt their being alone together! They would
never be alone together again.
Bank Holiday
A stout man with a pink face wears dingy white flannel trousers, a blue
coat with a pink handkerchief showing, and a straw hat much too small
for him, perched at the back of his head. He plays the guitar. A little
chap in white canvas shoes, his face hidden under a felt hat like a
broken wing, breathes into a flute; and a tall thin fellow, with
bursting over-ripe button boots, draws ribbons—long, twisted, streaming
ribbons—of tune out of a fiddle. They stand, unsmiling, but not
serious, in the broad sunlight opposite the fruit-shop; the pink spider
of a hand beats the guitar, the little squat hand, with a
brass-and-turquoise ring, forces the reluctant flute, and the fiddler’s
arm tries to saw the fiddle in two.
Public-domain text, read in full here on John Shaqi.
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