“About us.”
“What was it?”
“I don’t like to tell you.”
“I can guess. They said you were in love with me. Was that it?”
I tried to rise, but she held me down with her hands upon my shoulders.
Each time I bent back my head to answer, she stooped lower above me. Her
breath was in my hair. The gold flashed up in the depths of her eyes.
Her voice broke into slow laughter. With her lips touching my forehead
she whispered, “And what if they did say it?”
For a moment we gazed at one another. I hoped and I dreaded. By one
slight action of assent, the quiver of an eye-lid or the raising of a
hand, I would thrust Vi from me forever. A marriage with Fiesole would
at least be correct--approved by society; but I should have to sin
against Vi to get it--to sin against a love which was half-sinful.
Fiesole straightened. The tension relaxed. She placed her hand on my
head, ruffling my hair. As though imitating the thrush, a peal of silver
laughter fell from her lips. “Oh, Dante, Dante! You are just as you
were. You’re still afraid of girls.”
I rose to my feet. She was again a coquette, rash, luring attack, but
always on the defensive. I gained control of myself as my pity ebbed.
I had been mistaken in thinking I had hurt her. I should have known she
was play-acting. And yet I doubted.
We walked over to the lounge by the window. I seated myself beside her,
confident now of my power to restrain myself. “I was afraid for you--not
of you.”
“Why should you be afraid for me when I’m not afraid for myself? No,
Dante, it wasn’t that. You’re afraid of yourself. Someone told you long,
long ago, when you were quite little, that it was naughty to flirt.
You’ve never forgotten it, and each time you begin to feel a bit happy
you believe you’re going to do something bad. So you’ve put your heart
to bed, and you’ve locked the door, and you’ve drawn the curtains. You
play nurse to it, and every time it stirs, you tiptoe to the door to see
that the key is turned, and to the windows to see that they’re properly
bolted. I’ll tell you what’s the matter with you, Dante. I stole along
the passage and hammered on the door of your heart’s bedroom, and your
heart half-roused and called, ‘Nurse.’ There!”
She threw herself back against the cushions, seizing both my hands in
hers. She gazed at me unflinchingly, daringly, mockingly. She drew me
to her and thrust me from her with quick sharp jerks. She treated the
situation so lightheartedly, so theatrically, that I could have kissed
her with impunity. But it would have been like kissing the statue of a
woman. She would have remained unmoved, unresponsive. There would have
been no adventure of conquest.
Public-domain text, read in full here on John Shaqi.
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