She turned to one of her companions and whispered something, at which
they both laughed. He was a tall poetic-looking man, slight of hip,
blue-eyed, and handsome. His hair was wavy and yellow, his face bearded,
and his skin pale with excess. There were other men with her, Monsieur
Georges among others; but on the poet alone she lavished her attention.
She gave him her arm and came towards me with the undulating stride that
I knew so well. For a second I believed she was going to acknowledge me;
she went by so closely that her gown trailed across my feet and brushed
my hands. It was cruelly intended. The play had opened.
The table that had been reserved for her was next to mine, partly hidden
from the public gaze by bushes; as I watched, I caught glimpses of
her profile, and could always hear the lazy murmur of her voice
and occasionally fragments of what was said. I followed her foreign
gestures, her tricks of personality--all of them adorably familiar: the
way she shifted her eyebrows in listening, sunk her chin between her
breasts when she was serious, and clapped her hands in excitement. She
was as simple as a child--in her heart she had not altered. Even the
way in which she made me suffer what she had suffered was childish. This
pretending not to know me was so transparent. There were other and more
subtle methods by which she could have taken her revenge.
I was not the only man who attempted to spy on her; there might have
been no other woman present. Languid faces scattered throughout the
garden took on a new sharpness. They turned and looked down from
balconies on La Fiesole, eager to catch glimpses of her. To their
women-companions men listened with a bored pretense of attention.
Perhaps it was because of this, in an effort to focus interest on
themselves, that the women, as by a concerted plan, became more
animated.
Suddenly a girl in scarlet leapt upon a table and commenced to dance
with flashing eyes and whirling skirts. I heard someone say that she was
a gipsy and that her brother was first-violinist in the orchestra. The
music mounted up, wild and unrestrained; the small feet beat faster; the
actions became more frenzied. She turned away from her comrade and bent
back double, peering into his eyes; she flung herself from him, chaffing
him with grim endearments; she feigned to become furious; then she threw
herself across his knees exhausted, writhing her arms about his neck.
Men eyed her with studied carelessness. She had done it before and they
had applauded. They could see her any night. They could not always feast
their eyes on La Fiesole.
Saturnalia broke loose. Girl after girl rose upon chair or table, or
went swaying through the magic garden like a frail leaf harried by a
storm. They danced singly, they danced together, going through grotesque
contortions, beckoning lovers with their eyes and gestures.
Public-domain text, read in full here on John Shaqi.
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