The Gaspards of Pine Croft: A Romance of the WindermereConnor, Ralph
General
The Gaspards of Pine Croft: A Romance of the Windermere
Connor, Ralph
British Columbia -- Fiction; Canadian fiction -- 20th century
In late September the word went through the valley that Sleeman had
returned and had shut himself up in his ranch, holding communication
with none but his own people. That word produced a strange effect upon
the Indian woman. The casual mention of Sleeman’s name seemed to
galvanise into vivid life her dead face. A new gleam appeared in the
depths of her sombre eyes and burned there with a steady glow. Her
wanderings began to take her to the hills behind the Sleeman ranch. One
afternoon, wearied with a long day in the saddle after straying cattle,
Paul, allowing his pinto to graze at will, lay down to rest and fell
asleep in a thicket. He was startled into wakefulness by the sense of
some living thing near him, which becomes second nature with those bred
in the wilds. Creeping stealthily toward the edge of the thicket which
sheltered him he saw erect upon an out-jutting rock a woman’s figure
with wind blown tresses, with one hand outstretched toward the Sleeman
ranch and in her outstretched hand a long hunting knife. It was the
Indian woman Onawata. In the rhythmic cadence of a wailing chant her
voice rose and fell, thrilling with suppressed and passionate emotion.
The boy shuddered as he listened, but deemed it wisdom to remain hidden
from her view. As he lay watching the chanting ceased, the woman fell
upon her knees, lifted her face toward the skies, her lips moving as if
in prayer, raised high above her head her knife, pressed the naked blade
to her lips, made the sign of the cross, bowed her head a few moments as
if again in prayer, then rose to her feet and wearily took her way. A
weird mingling it was of primal human emotions, expressing themselves in
a ritual in which Christian and pagan symbolism found a place. Shocked,
startled, terrified, the boy waited a sufficient time to allow her to
remove from the vicinity, then mounting his pinto rode hard to the “big
white house,” where he laid before the Colonel the thing he had seen and
heard.
“What does it mean, Paul?” inquired the Colonel when the boy had
finished his tale.
“Why, Uncle Colonel, it means only one thing, the thing I would mean
if—if—God would let me. But He won’t let me. Besides,” he added as if to
himself, “I promised Daddy.”
“You are right, boy. It is not given into our hands to take vengeance.
God will——”
“But that’s just it, Uncle Colonel. God won’t. And——”
“How do you know, boy? Don’t you go dictating to the Almighty. He has
his own ways and times that to His wisdom seem best. Who are we to
instruct Him what to do and when? No, boy, leave the ordering of the
universe to God. Do your own work and let God do His. But this thing may
lead to some desperate deed.”
“Onawata is acting very queerly. She sits for hours under the trees. She
eats little food. She gets up at night and wanders round the house. I am
awfully afraid she will do something. What can I do?”
Public-domain text, read in full here on John Shaqi.
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