The Gaspards of Pine Croft: A Romance of the WindermereConnor, Ralph
General
The Gaspards of Pine Croft: A Romance of the Windermere
Connor, Ralph
British Columbia -- Fiction; Canadian fiction -- 20th century
The boy was terribly shaken with the struggle going on in his soul. He
knew the book well. He took and turned it over in his hands, opened it
at the fly-leaf, read in faded lettering the words written, he well
remembered when, “For my son Paul, from his mother. ‘Blessed are the
pure in heart, for they shall see God.’” The scene flooded his
memory—the Pine Croft living room, his mother’s face with its wondering,
tremulous smile as he told her how up through the tops of the pines,
between the little white clouds he could see God looking down at him. He
remembered how, as she was tucking him in that night, she brought him a
new Bible, with his name in it and her name and the beautiful words
about seeing God, and how she kissed the book and kissed him as she gave
it into his hands. Like a mountain torrent sweeping away a dam, the
surging tide of his emotion swept away his control. He dropped on his
knees by the bed, pressed the words to his lips, sobbing.
“Oh, Mother, Mother! dear, dear Mother! For your sake! Yes, yes! for
your sake!”
The men turned away and moved softly from the hut, leaving the two
alone. The Indian woman lay back, spent and done. She had fulfilled her
trust. She had brought back to his people, clean from lust and from
blood, the son of the man who was to her as God Himself. Next day the
sergeant went north on his quest, carrying a message to the Athabascan
chief from his daughter.
The passing of Onawata was all peace. An hour with the missionary, even
though he was not of her faith, brought her something of the peace that
passeth understanding. There was still her anxiety for the future of her
children, which she had settled in her own way. There only remained the
telling of it to them, and that she deferred till the very last.
They were together in the little hut after a day of quiet rest and
freedom from pain.
“Here, Tanna,” she called in her soft Chippewayan tongue. “Come hither,
little Singing Water, light of my eyes. Come in beside me.” She gathered
the child in her arms and held her close. “Peter, come too.” The boy
came and knelt by her bed, his dark face set as if cast in bronze. He
well knew what was before them all. His mother’s arm went round his
shoulders.
“Little ones, your mother is going away,” she began, her voice coming
softly and evenly, like the flowing of quietly running water, “away to a
good country—ah! a good country!—where the warm sun is always shining,
no frost, no snow, no hunger, no pain, no sickness, no fear, no
fighting, no blood. Oh, it is a good country.” She lay quiet a few
moments, her dark face growing young and beautiful. The little girl’s
fingers crept over her face.
“Oh, Mammy, you are smiling. When will we go? I do not love the cold and
the hunger, and I want no more pain for you, Mammy dear.” The little one
spoke in her father’s tongue. Her mother had seen to that. “And, Mammy,
there will be no more dark. I know! I know!”
Public-domain text, read in full here on John Shaqi.
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