The Gaspards of Pine Croft: A Romance of the WindermereConnor, Ralph
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The Gaspards of Pine Croft: A Romance of the Windermere
Connor, Ralph
British Columbia -- Fiction; Canadian fiction -- 20th century
He found that his mind had carried over from the previous night the
bitter hate toward Sleeman which had been with him during his six years’
absence from home, and in an intensified degree. Before setting out on
his visit to Sleeman he walked up the hill at the back of the house, to
the little enclosed piece of ground where were the graves of his father
and mother. The poplars and birches about were bare and gaunt, but the
balsams and spruce clustered in a kindly way near the little plot, and
overhead the tall pines waved their feathery tops and sighed softly in
the wind. To Paul the place was as a temple of God, but as he looked
upon his father’s grave and remembered how it was that he came to be
lying there, into his heart there came a prayer that justice should be
done on him who had wrought this evil, and with the prayer a solemn vow
that the execution of that act of justice should not be by his hand. For
to him it came clear and certain that this matter lay in other hands
than his and that he should hold himself in readiness to act only as he
should be clearly guided. That he would be guided was to him a settled
conviction that left him with mind undisturbed and will resolved to
follow the path that should be made clear to him. In this mind he set
forth on his journey.
He took the old mountain trail to the Sleeman ranch. Every turn in the
trail was familiar to him, every turn associated with some incident in
his boyhood days. But he was in no mood to linger. Swiftly he rode and
came to the door of Sleeman’s new house, which stood on a site a little
removed from that which had been fired by his father’s Indian wife. The
door of the living room was open and standing within was Sleeman,
lighting his pipe. Without knocking Paul entered the room and walking
slowly toward Sleeman spoke in tones that cut like cold steel, “I am
Paul Gaspard. I have business with you.”
At his words Sleeman’s face turned a sickly, greenish yellow, the pipe
slipped from his fingers and fell clattering to the floor. He backed
away toward the door of an inner room, opened it and with a swift leap
was behind it, locked.
“Open that door,” commanded Paul. A moment he waited, then drove his
heel at the lock just below the door knob. With a crash the door flew
open. Within the room Sleeman was standing, a gun in his hand, hanging
loose by his side.
“Keep back,” he shouted hoarsely.
“Put—that—gun—down—quick!” came from Paul in sharp, staccato tones.
“You keep out of this room,” said Sleeman, in a blustering voice that
shook for all his bravado.
A movement swifter than the eye could follow, the snap of a gun, and
Sleeman’s gun was flung against the wall, his fingers dripping blood.
Public-domain text, read in full here on John Shaqi.
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