The Gaspards of Pine Croft: A Romance of the WindermereConnor, Ralph
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The Gaspards of Pine Croft: A Romance of the Windermere
Connor, Ralph
British Columbia -- Fiction; Canadian fiction -- 20th century
And in very truth, the change in the man was nothing other than a
transformation. Clean shaven, well groomed, garbed in hunting tweeds and
immaculate linen, and with his gun over his arm, he was once more the
Gaspard of the old days, handsome, cheery, insouciant, with today a
touch of patronising insolence. For Gaspard was now in his studio and
among his pictures. He was the artist once more, after three years of
exile, and with the divine frenzy stirring in his blood he was lord of
his world and of the men and things therein. Certainly no object of
compassion, and as certainly no man to approach with a proposal of
social ostracism. Small wonder that the little Colonel fidgeted
nervously with his glass and wondered within himself how the deuce he
could lead up to the matter in hand.
“Have another drink, Pelham,” said Gaspard, helping himself and passing
the decanter. “Jove, this stuff has mellowed and ripened these three
years. Three years? Three and a half years now. A millennium of hell!”
He shuddered visibly as he tossed off his glass. “But it’s over, thank
God! Over! Jove, it was often a near touch with me. There were days when
I dared not trust myself alone with my gun in the woods. Ah-h-h, God!”
Again he shuddered. “But it’s over. I’m going to paint again—and as I
never painted. I have great pictures here,”—he struck his breast
violently, “angels, devils, waiting release. Devils? Yes, I can paint
devils now. God knows I have reason to know them!” He turned swiftly
upon the Colonel, pouring himself another glass.
“Pelham, do you believe in the devil?”
The Colonel was frankly startled. “Well, of course, I——”
“Ah-h-h, I see, you know nothing about him. Yours is a sickly
abstraction. Well, thank God you don’t. But that is all done with. Here
I am back where a man can get a bath and sleep in a bed and see the face
of a white man. Pelham, I love to look at you, old sport. I’m not saying
you’re a beauty, but you are white. You’re my kind. Have another, eh?
No? Hear me, Pelham, it is good to be back home. Thought I’d never have
the nerve to return. But—man! Man! to die in a far land with never a
kent face to look upon as you go out—I just cudna thole it, as old Jinny
would say. By the way, how is old Jinny?”
“Oh, very well. Very useful and fairly happy, I think. You see she has
Paul.”
“Paul!” His voice lost its harsh, feverish note of bravado. “The boy,
you say, is well and happy, eh? Happy? What?” His voice was eager, his
look keenly inquiring.
“Yes, Paul is fine and fit and happy. Yes, I’m sure he is happy. Of
course, you know, he is awfully keen about you and has wanted to hear
from you and all that——”
“Come, let’s go about a bit,” said Gaspard abruptly, leading the way out
of doors. “Can’t understand how that main burst. Frost, I fancy. Must
put that right. Things are in an awful mess.”
“Couldn’t help being in a mess very well,” said the Colonel stiffly.
Public-domain text, read in full here on John Shaqi.
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