The Gate of Appreciation: Studies in the Relation of Art to LifeNoyes, Carleton Eldredge
Philosophy
The Gate of Appreciation: Studies in the Relation of Art to Life
Noyes, Carleton Eldredge
Aesthetics; Art appreciation; Art criticism
In the category of the arts of form the single work is to be received
in its entirety and integrity as form. The whole, however, may be
resolved into its parts, and the individual details may be interesting
in themselves. Thus into decorative patterns are introduced elements
of meaning which attach themselves to the world and experience
external to the artist. Many ornamental motives, like the zigzag and
the egg-and-dart, for example, had originally a symbolic value.
Sometimes they are drawn from primitive structures and fabrics, as
the checker-board pattern, with its likeness to the plaitings of rush
mattings, and the volute and spiral ornaments, which recall the
curves and involutions of wattle and wicker work. Again, decoration
may employ in its service details that in themselves are genuinely
representative art. The frieze of the Parthenon shows in relief a
procession of men and women and horses and chariots and animals.
The sculptures of Gothic churches represent men and women, and
the carvings of mouldings, capitals, and traceries are based on
naturalistic motives, taking their designs from leaves and flowers.
The essential function of ornament is to emphasize form and not to
obscure it, though nowadays in machine-made things a kind of
pseudo-embellishment is laid on to distract attention from the
badness and meaninglessness of the form; in true decoration the
representative elements are subordinated to the formal character of
the whole. The representative interest may be enjoyed separately and
in detail; but finally the graphic purpose yields to the decorative, and
the details take their place as parts of the total design. Thus a Gothic
cathedral conveys its complete and true impression first and last as
form. Midway we may set ourselves to a reading of the details. The
figure of this saint on the jamb or the archivolt of the portal is
expressive of such simple piety and enthusiasm! In this group on the
tympanum what animation and spirit! This moulding of leaves and
blossoms is cut with such loving fidelity and exquisite feeling for
natural truth! But at the last the separate members fulfill their
appointed office as they reveal the supreme function of the living
total form.
Public-domain text, read in full here on John Shaqi.
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