The Gate of Remembrance: The Story of the Psychological Experiment which Resulted in the Discovery of the Edgar Chapel at GlastonburyBond, Frederick Bligh
Religion
The Gate of Remembrance: The Story of the Psychological Experiment which Resulted in the Discovery of the Edgar Chapel at Glastonbury
Bond, Frederick Bligh
Glastonbury Abbey -- Miscellanea; Parapsychology and archaeology -- England -- Glastonbury -- Case studies; Spirit writings
"Some fragments of building on the north side of the nave were
surviving as recently as 1817, when Coney's drawings were published.
In one of these we see a wall with a row of windows having a rather
unusual detail in their heads (Fig. 10). This would be near the site
of the Loretto Chapel, built by Abbot Bere. Carter, writing some few
years later, tells us that the Loretto Chapel was then standing, and
if he be correct, it must have been a substantial piece of masonry
exterior to the church, and not a light internal structure within it,
as has been conjectured. But he may have been referring to the Chapel
of Saint Thomas the Martyr in the north transept, which has sometimes
been miscalled the 'Loretto Chapel.'
[Illustration: FIG. 10.--VIEW OF THE RUINS IN 1723. (From Stukeley's
Itinerary.)]
[Illustration: FIG. 11.--GLASTONBURY ABBEY IN 1655 _circa_: ENLARGEMENT
OF HOLLAR'S VIEW.]
[Illustration: Fig. 12.--MS. PLAN OF JOHN CANNON, 1740 _circa_.
_A_, Chaple; _B_, quire; _C_, the great arch; _D_, the nave or body;
_E_, the chapter house; _F_, gate to ye kitchen; _G_, St. Joseph's
Chaple.]
"A sketch plan in the Cannon MS. shows a group of ruins in an
apparently similar position, and he records the tradition of a very
magnificent building at this point, which he terms the 'Chapter House.'
However erroneous this designation, we may at least accept his record
as corroborative of the existence of a richly ornamented building of
some special nature (as distinct from the body of the Church at the
junction of the Nave aisle and North Transept)."
It seems, then, that we had formed the impression of a fine building
just outside the nave wall and in the angle of aisle and transept; but
to be strictly accurate, I do not think that Coney's sketch had much
weight as regards the character of the work it might have contained,
and so far as one's normal impressions were concerned, it was dismissed
as "modern."
RECORD OF EXCAVATION IN 1911.
Public-domain text, read in full here on John Shaqi.
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