Behind the wreck of the _portière_, the door--its panels split and
tormented by flame--stood wide open, as on the night when, straining
every muscle to carry that apparently so light and fragile burden,
Laurence had lifted Agnes Rivers across the threshold. Once within the
yellow drawing-room the desolation of that heretofore gracious and
friendly apartment touched hard on tragedy, seen, as now, in the
furtive, evening light. The rain had ceased, and through the remaining
sheets of glass, in the partially boarded and barricaded bay-window, the
flower-beds of the Italian garden showed in rich variety of leaf and
blossom. The statues gleamed calm and graceful from their white
pedestals. The spires of the cypresses rose with a certain velvet
softness of density towards the pensive and slowly clearing sky. But the
room itself was ruined in most unsightly fashion, stained by smoke,
rendered clammy and dank in places by water. Wreckage of the pretty,
costly furniture lay scattered in formless heaps upon the blackened
floor--with here and there a shred of fine porcelain, the gilt handle of
a drawer, the pages of a book reduced to tinder, or the unlovely remnant
of carpet or hanging. It was as a place that has suffered siege, and
which relentless foemen have sacked and trodden underfoot. So that it
came to Laurence, very surely, that not here would he find his sweet
fairy-lady, were he indeed destined, in this life, ever to find her
again. Her gentle spirit could never be subjected to the indignity of
dwelling amid this scene of destruction. Some incongruities are
inadmissible to the imagination. They are too violent, too gross.
Therefore the days of his beloved companion's pilgrimage were ended--it
could not be otherwise--in respect of this once so comely place.
But though convinced that here it was useless to await her presence,
there remained somewhat for Laurence in all tenderness and reverence to
see. Since the electric light was now unavailable, he had ordered
candles to be placed upon the chimney-piece, which, though yellow and
disfigured, still remained practically intact. He moved across from the
neighbourhood of the doorway--sad, little clouds of corpse-coloured
ashes arising about his feet as he stepped--and put a match to the
candles. Then, as the light of them strengthened and steadied, he
looked, shading his eyes with his hand, towards that portion of the wall
at right angles to which the painted, satin-wood escritoire, with all
its pathetic store of cherished love-tokens, had formerly stood. The
high wainscot and brocade-covered panels masking this space had been
entirely burned away, disclosing a low, vaulted chamber hollowed out of
the thickness of the outer wall. This chamber had been roughly and
somewhat clumsily ceiled. The whole construction showed unmistakeable
traces of hasty and unskilled labour.
Public-domain text, read in full here on John Shaqi.
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