The Gates of India: Being an Historical NarrativeHoldich, Thomas Hungerford, Sir
History
The Gates of India: Being an Historical Narrative
Holdich, Thomas Hungerford, Sir
Afghanistan -- Description and travel; Balochistan (Pakistan) -- Description and travel
Whilst surveying in the Kunar valley along the Kafiristan borderland,
I made the acquaintance of two Kafirs of Kamdesh, who stayed some
little time in the Afghan camp, in which my own tent was pitched, and
who were objects of much interest to the members of the Boundary
Commission there assembled. They submitted gracefully enough to much
cross-examination, and amongst other things they sang a war-hymn to
their god Gish, and executed a religious dance. Gish is not supreme in
their mythology, but he is the god who receives by far the greatest
amount of attention, for the Kafir of the lower Bashgol is ever on the
raid, always on the watch for the chance of a Mahomedan life. It is,
indeed, curious that whilst tolerant enough to allow of the existence
of Mahomedan communities in their midst, they yet rank the life of a
Mussulman as the one great object of attainment; so that a Kafir's
social position is dependent on the activity he displays in searching
out the common enemy, and his very right to sing hymns of adoration to
his war-god is strictly limited by the number of lives he has taken.
The hymn which these Kafirs recited, or sang, was translated word by
word, with the aid of a Chitrali interpreter, by a Munshi, who has the
reputation of being a most careful interpreter, and the following is
almost a literal transcript, for which I am indebted to Dr. MacNab, of
the Q.O. Corps of Guides:--
O thou who from Gir-Nysa's (lofty heights) was born
Who from its sevenfold portals didst emerge,
On Katan Chirak thou hast set thine eyes,
Towards (the depths of) Sum Bughal dost go,
In Sum Baral assembled you have been.
Sanji from the heights you see; Sanji you consult?
The council sits. O mad one, whither goest thou?
Say, Sanji, why dost thou go forth?
The words within brackets are introduced, otherwise the translation is
literal. Gir-Nysa means the mountain of Nysa, Gir being a common
prefix denoting a peak or hill. Katan Chirak is explained to be an
ancient town in the Minjan valley of Badakshan, now in ruins; but it
was the first large place that the Kafirs captured, and is apparently
held to be symbolical of victory. This reference connects the Kamdesh
Kafirs with Badakshan, and shows these people to have been more
widespread than they are at present. Sum Bughal is a deep ravine
leading down to the plain of Sum Baral, where armies are assembled for
war. Sanji appears to be the oracle consulted before war is
undertaken. The chief interest of this verse (for I believe it is only
one verse of many, but it was all that our friends were entitled to
repeat) is the obvious reference in the first line to the mountain of
Bacchus, the Meros from which he was born, on the slopes of which
stood the ancient Nysa. It is, indeed, a Bacchic hymn (slightly
incoherent, perhaps, as is natural), and only wants the accessories of
vine-leaves and ivy to make it entirely classical.
Public-domain text, read in full here on John Shaqi.
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