It is all very well to be urged to suspect, for, within reason, nothing
is easier. The world, in the process of our education, deals out so many
hard knocks that speedily we begin to look with dubious eyes on every
stranger--sometimes, alas! even upon our friends. We suspect the motives
of Smith, who recommends a first-rate cigar: does he get a commission?
We suspect Brown, who asks us to drop in any evening: has he a
marriageable daughter? Jones lauds the latest novel: is he the anonymous
author? Robinson advises the purchase of Consolidated Stumers: is he
trying to make us "hold the baby"? Suspicion is epidemic. What the world
wants is a host of missionary spirits to say, "For goodness' sake do
drop suspicion for a while and believe in your fellow man! Smith really
does imagine himself a judge of tobacco; Brown, as a matter of fact,
thinks you quite a pleasant chap, and his daughter is engaged; Jones
never wrote a line in his life, save on a check; and Robinson for once
has inside information. Give suspicion a rest!" Ah! if only the other
fellow would!
Lionel had been told to suspect, and at first found the task no harder
than you or I should find it. But apart from the strong inducement to
forego suspicion--viz., the physical and mental attractions of Miss
Arkwright--every day made it more difficult to sustain the suspicious
attitude. The early surprises--the "out of bounds" rule, the dumb
servants, the seclusion of his hostess and the like--gave him plenty to
wonder at, rich food for a seeker of garbage. But usage made the odd
seem ordinary, and Miss Arkwright always had an explanation. The
servants had already been accounted for; the prohibition of the village
might be a whim (though of course he was not satisfied with this), her
own seclusion he guessed, from a hint here and there, was due to a
disappointment in early youth. But it was really custom that staled the
infinite variety of the first surprises; he had to accept the routine of
The Quiet House, and could not be expected to whip up a daily supply of
suspicions. One can imagine, perhaps, a Jew in a medieval baron's
dungeon waking peacefully and asking his jailer, "What is it to-day,
Cedric? A tooth out, the strappado, or the rack? Just a tooth? Good."
The analogy is anything but exact, for Lionel did not get a succession
of thrills. The daily wonder as to _why_ she forbade him the village;
_why_ she did not receive any local god, parson, squire, or doctor;
_why_ she did this or that, dwindled imperceptibly. He did not
consciously relax: he had to adjust himself to the new conditions; but
the effort at adjustment grew less laborious, and soon was in some
danger of ceasing altogether.
Public-domain text, read in full here on John Shaqi.
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