"All right!" he said, "but don't make me promise to produce it. Remember
this is my living!"
"No; I only want you to read it. If it's bad, say so like a man: don't
put the poor wretch off with the usual sugary criticism. And don't let
it lie for months with all the rest of the lumber. You managers are
cruel to authors, and you've had this one lying idle a long time."
He did not deny the charge, save by a smile.
"I'll read it this week, sure," he said. "What's it called, and who's
the author?"
"I forget the name of the play. The author is a Mr. Mortimer."
She said the name quite easily and without a blush, but Billing on the
instant thought, "Who the devil is he? And what does she want to push
his play for?" But he did not allow his face even to hint at surprise.
He just held out his hand and said good-by, as naturally as if he had
not been rejected without any hope of a future recantation. For though
he professed optimism, in his heart he felt that Beatrice was not for
him, and the knowledge hurt.
"Good-by," he said cheerily. "Mind you have a good holiday, and come
back to work soon."
"Good-by, Ashford," she said, trying to keep back some unnecessary
tears. She had known him for some time and guessed what he was thinking.
He, she was sure, was at least one of the men who tried. "You're a good
sort. Good-by."
Then she telephoned to a garage: "I want my car at two o'clock!"
CHAPTER XIV
A RISE IN THE WORLD
The Happy Heart was an ideal resting-place for a tired man, whether town
or country-bred. To the former it made the stronger appeal, for there
could be no greater contrast than between The Happy Heart and the
flaring brazen public-houses which offer solace to the dwellers of the
pavement. These attract by their fierce pledges of light, warmth and the
stimulated oblivion of the moment; The Happy Heart draws the
heart-strings alike of the physically tired and mentally jaded. Apart
from the promise of good liquor--and all who go to Shereling can rely on
the promise being fulfilled--it makes an esthetic appeal. For it is
still an old-fashioned country tavern of the prettiest type, destined to
make even the total abstainer wonder whether he be so absolutely in the
right after all. It boasts a porch, over which a Virginia creeper
spreads its amorous leaves; rose-bushes waft a welcome and the sure hope
of peace to plowman or golfer after the day's striving. A meditative
cow, apparently an artistic fixture, chews the cud in a field hard by
from day to day. Smoke curls lazily from a huge and ancient chimney, as
much as to say, "Be of good cheer! I come from the kitchen!" And there
is, too, one of those signposts you see sometimes in the south,--a
pillar placed separate from the inn itself with a swinging board above.
The superscription, by the way, was due to the fancy of the squire's
wife. When the squire entered into his inheritance and married he had
had dreams. He wished to be like Dogberry and have everything handsome
about him.
Public-domain text, read in full here on John Shaqi.
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