"We must have evening clothes, we must entertain our friends, we must
pay for the family pew"; this was their nervous litany. The Merrymans
had always dressed and entertained and worshiped properly; hence it was
for lace or tulle or velvet, as the case might be, that their money
went. It went, too, for the very elegant and exclusive little dinners to
which, on rare occasions, their friends were bidden; and it went for the
high place in the synagogue from which they prayed their pharisaical
prayers.
"We thank thee, Lord, that we are not as others," prayed Amy and Ethel
fervently.
But Anne prayed no such prayers. She wanted to be like other people. She
wanted to eat and drink with the multitude, she wanted a warm, warm
heart, a groaning board. She wanted snugness and coziness and comfort.
And she grew up loving these things, and hating the pale walls of their
old house in Georgetown, the family portraits, the made-over dinner
gowns that her sisters wore, her own made-over party frocks.
"Can't I have a new one, Amy?"
"It's Ethel's turn."
So it was when Anne went to a certain diplomatic reception in a
made-over satin slip, hidden by a cloud of snowy tulle, that Murray
Flint first waked to the fact of her loveliness.
He had waked ten years earlier to the loveliness of Amy, and five years
later to the beauty of Ethel.
And now here was Anne!
"She's different though," he told old Molly Winchell; "more spiritual
than the others."
It was Anne's thinness which deceived him. It was an attractive
thinness. She was pale, with red lips, and the fat fair braids had given
way to a shining knot. She wore the family pearls, and the effect was,
as Murray had said, spiritual. Anne had the look, indeed, of one who
sees heavenly visions.
Amy had never had that look. She was dark and vivid. If at thirty the
vividness was emphasized by artificial means the fault lay in Amy's
sacrifice to her social ideals, She needed the butter which she denied
herself. She needed cream, and eggs, and her doctor had told her so. And
Amy had kept the knowledge to herself.
Ethel, eating as little as Amy--or even less--had escaped, miraculously,
attenuation. At twenty she had been a plump little beauty. She was still
plump. Her neck in her low-cut gown was lovely. Her figure was not
fashionable, and she lacked Amy's look of race.
"They are all charming," Molly Winchell said. "Why don't you marry one
of them, Murray?"
"Marriage," said Murray, "would spoil it."
"Spoil what?"
Murray turned on her his fine dark eyes. "They are such darlings--the
three of them."
"You Turk!" Molly surveyed him over the top of her sapphire feather fan.
"So that's it, is it? You want them all."
Public-domain text, read in full here on John Shaqi.
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