"I trust you," she said; and laid the pistol in his hands. His face altered subtly. "I did not mean in that way," he said. "How could I trust you more?" "With--yourself." "That is a--lesser trust," she said faintly. "It is for you that I have been afraid." He saw the colour deepen in her cheeks, looked, bit his lip in silence. "To-morrow?" she said under her breath. "Yes." "Good-bye till then." "Good-bye." [Illustration] [Illustration] XXVI THE next day he didn't appear, but a letter did. "I merely lied to you," he wrote. "All gamblers are liars. You should have passed by on the other side." Yes, that is what she should have done; she realised it now alone there in the sunny parlour with his letter. There was no chance for him; or, if there was, she had not been chosen as the instrument of his salvation. Slowly she turned her head and looked around her at her preparations--the pitiful little preparations for him--the childish stage setting for the scene of his salvation. The spotless parlour had been re-dusted, cleaned, rubbed to its old-time polish. Bible and prayer-book on the mahogany centre-table had been arranged and re-arranged so many times that she no longer knew whether or not her art concealed art, and was innocently fearful that he might suspect the mise-en-scene and fight shy of her preparations for his regeneration. Again and again she had re-arranged the flowers and books and rumpled the un-read morning newspaper to give to the scene a careless and casual every-day allure; again and again she had straightened the rugs, then tried them in less symmetrical fashion. She let the kitten in to give a more home-like air to the room, but it squalled to go out, and she had to release it. Also, from the best spare room she had brought Holman Hunt's "Shadow of the Cross"--and it had taxed her slender strength to hang it in place of the old French mezzotint of Bacchus and Ariadne. But the most difficult task was to disseminate among the stiff pieces of furniture and the four duplicate sofa cushions an atmosphere of pleasant and casual disorder--as though guests had left them where they were--as though the rigid chairs were accustomed to much and intimate usage. But the effect troubled her; every formal bit of furniture seemed to be arranged as for an ambuscade; the cushions on the carved sofa sat in a row, like dwarfs waiting; the secretary watched, every diamond pane a glittering eye. And on the wall the four portraits of her parents and grand-parents were behaving strangely, for she seemed never to be out of range of their unwinking painted eyes. From other rooms she had brought in ornaments, books, little odds and ends--and the unaccustomed concentration of household gods caused her much doubt and uncertainty, so fearful was she that his wise dark eyes might smilingly detect her effort.