deliver himself--the creditor playing scapegoat for his debtor, from _love_ (can you believe it?), from love of his debtor!... 22. The reader will already have conjectured what took place on the stage and behind the scenes of this drama. That will for self-torture, that inverted cruelty of the animal man, who, turned subjective and scared into introspection (encaged as he was in "the State," as part of his taming process), invented the bad conscience so as to hurt himself, after the _natural_ outlet for this will to hurt, became blocked--in other words, this man of the bad conscience exploited the religious hypothesis so as to carry his martyrdom to the ghastliest pitch of agonised intensity. Owing something to _God_: this thought becomes his instrument of torture. He apprehends in God the most extreme antitheses that he can find to his own characteristic and ineradicable animal instincts, he himself gives a new interpretation to these animal instincts as being against what he "owes" to God (as enmity, rebellion, and revolt against the "Lord," the "Father," the "Sire," the "Beginning of the world"), he places himself between the horns of the dilemma, "God" and "Devil." Every negation which he is inclined to utter to himself, to the nature, naturalness, and reality of his being, he whips into an ejaculation of "yes," uttering it as something existing, living, efficient, as being God, as the holiness of God, the judgment of God, as the hangmanship of God, as transcendence, as eternity, as unending torment, as hell, as infinity of punishment and guilt. This is a kind of madness of the will in the sphere of psychological cruelty which is absolutely unparalleled:--man's _will_ to find himself guilty and blameworthy to the point of inexpiability, his _will_ to think of himself as punished, without the punishment ever being able to balance the guilt, his _will_ to infect and to poison the fundamental basis of the universe with the problem of punishment and guilt, in order to cut off once and for all any escape out of this labyrinth of "fixed ideas," his will for rearing an ideal--that of the "holy God"--face to face with which he can have tangible proof of his own un-worthiness. Alas for this mad melancholy beast man! What phantasies invade it, what paroxysms of perversity, hysterical senselessness, and _mental bestiality_ break out immediately, at the very slightest check on its being the beast of action. All this is excessively interesting, but at the same time tainted with a black, gloomy, enervating melancholy, so that a forcible veto must be invoked against looking too long into these abysses. Here is _disease_, undubitably, the most ghastly disease that has as yet played havoc among men: and he who can still hear (but man turns now deaf ears to such sounds), how in this night of torment and nonsense there has rung out the cry of _love_, the cry of the most passionate ecstasy, of redemption in _love_, he turns away gripped by