The genetic and the operative evidence relating to secondary sexual charactersMorgan, Thomas Hunt
Science
The genetic and the operative evidence relating to secondary sexual characters
Morgan, Thomas Hunt
Genetics; Poultry; Sex (Biology)
“The male is covered with iridescent scales, his general color
being green; in the female the coloring is dark, but iridescent,
and in certain lights has lovely rosy tints. In the sunlight both
shine with the metallic splendor of hummingbirds. The male alone
has a superciliary fringe of hairs on either side of his head, his
first legs being also longer and more adorned than those of his
mate. The female is much larger, and her loveliness is accompanied
by an extreme irritability of temper which the male seems to regard
as a constant menace to his safety, but his eagerness being great,
and his manners devoted and tender, he gradually overcomes her
opposition. Her change of mood is only brought about after much
patient courting on his part. While from three to five inches
distant from her he begins to wave his plumy first legs in a way
that reminds one of a wind-mill. She eyes him fiercely and he keeps
at a proper distance for a long time. If he comes close she dashes
at him and he quickly retreats. Sometimes he becomes bolder and
when within an inch, pauses, with the first legs outstretched
before him, not raised as is common in other species; the palpi
also are held stiffly out in front with the points together. Again
she drives him off, and so the play continues. Now the male grows
excited as he approaches her, and while still several inches away
whirls completely around and around; pausing, he runs closer and
begins to make his abdomen quiver as he stands on tip-toe in front
of her. Prancing from side to side, he grows bolder and bolder,
while she seems less fierce, and yielding to the excitement lifts
up her magnificently iridescent abdomen, holding it at one time
vertically and at another sideways to him. She no longer rushes at
him, but retreats a little as he approaches. At last he comes close
to her, lying flat, with his first legs stretched out and
quivering. With the tips of his front legs he gently pats her; this
seems to arouse the old demon of resistance, and she drives him
back. Again and again he pats her with a caressing movement,
gradually creeping nearer and nearer, which she now permits without
resistance until he crawls over her head to her abdomen, far enough
to reach the epigynum with his palpus”. (Pp. 46-47.)
Public-domain text, read in full here on John Shaqi.
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