The genetic and the operative evidence relating to secondary sexual charactersMorgan, Thomas Hunt
Science
The genetic and the operative evidence relating to secondary sexual characters
Morgan, Thomas Hunt
Genetics; Poultry; Sex (Biology)
Statements in regard to the effect of castration on poultry go back, it
appears, to Aristotle. Yarrel in 1811 and again in 1850 has given an
excellent account of many of the effects produced. His account of the
effects on the cock seem to be based partly on hearsay, and while they
contain much accurate information, yet the statement that the plumage of
the capon is intermediate between that of the cock and hen is incorrect.
The further statement that by cutting the oviduct the hen assumes the
plumage of the capon has been shown by Sellheim to be erroneous. The
operation referred to by Yarrel must have been one in which the ovary
was removed.
Yarrel described a female pheasant that had assumed some of the
characteristic colors of the male. On dissection he found that the ovary
was diseased as well as the oviduct. He correctly assigns the change in
plumage to the condition of the ovary. He states furthermore that most
of the female pheasants that he had examined that had male plumage had
not assumed the complete coloration of the male. In one case, however, a
complete change had taken place. The change in pheasants he thought was
due to old age accompanied by partial or complete loss of function of
the ovary. For poultry he states:
“In the imperfect female the comb increases; a short spur or spurs
appear; the plumage undergoes an alteration, getting what is
usually called ‘foul-feathered;’ she ceases to produce any eggs,
and makes an imperfect attempt to imitate the crow of the cock.
Being profitless in this state, she is usually made away with. The
proverb says:
A whistling woman and a crowing hen
Are neither good for gods nor men.
Our neighbors and allies the French, who seem to take a wider range
in their prejudice against habits which they consider irregular,
have the following proverb, which says:
Poule qui chante, Prêtre qui danse
Et Femme qui parle latin,
N’arrivent jamais à belle fin.
“I have seen two instances in which females of the wild duck have
assumed to a considerable extent the appearance of the plumage of
the mallard, even to the curled feathers of the tail. One of these
birds, in my own collection, was given me when alive by my kind
friend the late John Morgan, esq. When this bird was examined after
death, the sexual organs were found to be diseased, as in the case
of the hen pheasants referred to, and figured in the 2d volume of
the History of our British Birds. In the published illustrations to
his Fauna of Scandinavia, M. Nilsson has given a colored figure of
a duck in this state of plumage (plate 163), which is called a
barren female, and in which the curled tail-feathers are made very
conspicuous.
Public-domain text, read in full here on John Shaqi.
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