Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
She moved away and he followed her with his eyes, yearningly, burningly,
until she reached the door. When she closed it softly he went into his
own room and sat down. His body was limp and weary. He ached from head
to foot from the intensity of the mood he had passed through. He went
over the recent incidents, almost stunned by his experience and then
went outside and stood under the stairs, listening. Tree toads were
chirping, there were suspicious cracklings in the grass as of bugs
stirring. A duck quacked somewhere feebly. The bell of the family cow
tinkled somewhere over near the water of the little stream. He saw the
great dipper in the sky, Sirius, Canopus, the vast galaxy of the Milky
Way.
"What is life anyway?" he asked himself. "What is the human body? What
produces passion? Here we are for a few years surging with a fever of
longing and then we burn out and die." He thought of some lines he might
write, of pictures he might paint. All the while, reproduced before his
mind's eye like a cinematograph, were views of Angela as she had been
tonight in his arms, on her knees. He had seen her true form. He had
held her in his arms. He had voluntarily resigned her charms for
tonight; anyhow, no harm had come. It never should.
CHAPTER XIX
It would be hard to say in what respect, if any, the experiences of this
particular night altered Eugene's opinion of Angela. He was inclined to
like her better for what he would have called her humanness. Thus
frankly to confess her weakness and inability to save herself was
splendid. That he was given the chance to do a noble deed was fortunate
and uplifting. He knew now that he could take her if he wished, but once
calm again he resolved to be fair and not to insist. He could wait.
Public-domain text, read in full here on John Shaqi.
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