Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
Witla senior felt set up. His son was doing him honor. Mrs. Witla, like
her husband, was showing the first notable traces of the flight of time.
The crow's-feet at the sides of her eyes were deeper, the wrinkles in
her forehead longer. At the sight of Eugene the first night she fairly
thrilled, for he was so well developed now, so self-reliant. He had come
through his experiences to a kind of poise which she realized was
manhood. Her boy, requiring her careful guidance, was gone. This was
someone who could guide her, tease her as a man would a child.
"You've got so big I hardly know you," she said, as he folded her in his
arms.
"No, you're just getting little, ma. I used to think I'd never get to
the point where you couldn't shake me, but that's all over, isn't it?"
"You never did need much shaking," she said fondly.
Myrtle, who had married Frank Bangs the preceding year, had gone with
her husband to live in Ottumwa, Iowa, where he had taken charge of a
mill, so Eugene did not see her, but he spent some little time with
Sylvia, now the mother of two children. Her husband was the same quiet,
conservative plodder Eugene had first noted him to be. Revisiting the
office of the _Appeal_ he found that John Summers had recently died.
Otherwise things were as they had been. Jonas Lyle and Caleb Williams
were still in charge--quite the same as before. Eugene was glad when his
time was up, and took the train back to Chicago with a light heart.
Again as on his entrance to Chicago from the East, and on his return to
it from Blackwood, he was touched keenly by the remembrance of Ruby. She
had been so sweet to him. His opening art experiences had in a way been
centred about her. But in spite of all, he did not want to go out and
see her. Or did he? He asked himself this question with a pang of
sorrow, for in a way he cared. He cared for her as one might care for a
girl in a play or book. She had the quality of a tragedy about her.
She--her life, her surroundings, her misfortune in loving him,
constituted an artistic composition. He thought he might be able to
write a poem about it some time. He was able to write rather charming
verse which he kept to himself. He had the knack of saying things in a
simple way and with feeling--making you see a picture. The trouble with
his verse was that it lacked as yet any real nobility of thought--was
not as final in understanding as it might have been.
He did not go to see Ruby. The reason he assigned to himself was that it
would not be nice. She might not want him to now. She might be trying to
forget. And he had Angela. It really wasn't fair to her. But he looked
over toward the region in which she lived, as he travelled out of the
city eastward and wished that some of those lovely moments he had spent
with her might be lived again.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account