Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
At this time Eugene had quite reached the conclusion that there was no
hereafter--there was nothing save blind, dark force moving
aimlessly--where formerly he had believed vaguely in a heaven and had
speculated as to a possible hell. His reading had led him through some
main roads and some odd by-paths of logic and philosophy. He was an
omnivorous reader now and a fairly logical thinker. He had already
tackled Spencer's "First Principles," which had literally torn him up by
the roots and set him adrift and from that had gone back to Marcus
Aurelius, Epictetus, Spinoza and Schopenhauer--men who ripped out all
his private theories and made him wonder what life really was. He had
walked the streets for a long time after reading some of these things,
speculating on the play of forces, the decay of matter, the fact that
thought-forms had no more stability than cloud-forms. Philosophies came
and went, governments came and went, races arose and disappeared. He
walked into the great natural history museum of New York once to
discover enormous skeletons of prehistoric animals--things said to have
lived two, three, five millions of years before his day and he marvelled
at the forces which produced them, the indifference, apparently, with
which they had been allowed to die. Nature seemed lavish of its types
and utterly indifferent to the persistence of anything. He came to the
conclusion that he was nothing, a mere shell, a sound, a leaf which had
no general significance, and for the time being it almost broke his
heart. It tended to smash his egotism, to tear away his intellectual
pride. He wandered about dazed, hurt, moody, like a lost child. But he
was thinking persistently.
Then came Darwin, Huxley, Tyndall, Lubbock--a whole string of British
thinkers who fortified the original conclusions of the others, but
showed him a beauty, a formality, a lavishness of form and idea in
nature's methods which fairly transfixed him. He was still
reading--poets, naturalists, essayists, but he was still gloomy. Life
was nothing save dark forces moving aimlessly.
The manner in which he applied this thinking to his life was
characteristic and individual. To think that beauty should blossom for a
little while and disappear for ever seemed sad. To think that his life
should endure but for seventy years and then be no more was terrible. He
and Angela were chance acquaintances--chemical affinities--never to meet
again in all time. He and Christina, he and Ruby--he and anyone--a few
bright hours were all they could have together, and then would come the
great silence, dissolution, and he would never be anymore. It hurt him
to think of this, but it made him all the more eager to live, to be
loved while he was here. If he could only have a lovely girl's arms to
shut him in safely always!
Public-domain text, read in full here on John Shaqi.
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