Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
In this atmosphere, with a fairly clear comprehension of the elements
which were at work making the colour of the life about him, was Eugene,
digging away at the task he had set himself. Since leaving Angela he had
come to the conclusion that he must complete the jointings for the
exhibition which had been running in his mind during the last two years.
There was no other way for him to make a notable impression--he saw
that. Since he had returned he had gone through various experiences: the
experience of having Angela tell him that she was sure there was
something wrong with her; an impression sincere enough, but based on an
excited and overwrought imagination of evil to follow, and having no
foundation in fact. Eugene was as yet, despite his several experiences,
not sufficiently informed in such affairs to know. His lack of courage
would have delayed him from asking if he had known. In the next place,
facing this crisis, he had declared that he would marry her, and because
of her distressed condition he thought he might as well do it now. He
had wanted time to do some of the pictures he was working on, to take in
a little money for drawing, to find a suitable place to live in. He had
looked at various studios in various sections of the city and had found
nothing, as yet, which answered to his taste or his purse. Anything with
a proper light, a bath, a suitable sleeping room, and an inconspicuous
chamber which might be turned into a kitchen, was difficult to find.
Prices were high, ranging from fifty to one hundred and twenty-five and
one hundred and fifty a month. There were some new studios being erected
for the rich loungers and idlers which commanded, so he understood,
three or four thousand dollars a year. He wondered if he should ever
attain to any such magnificence through his art.
Again, in taking a studio for Angela and himself there was the matter of
furniture. The studio he had with Smite and MacHugh was more or less of
a camp. The work room was bare of carpets or rugs. The two folding beds
and the cot which graced their individual chambers were heirlooms from
ancient predecessors--substantial but shabby. Beyond various drawings,
three easels, and a chest of drawers for each, there was no suitable
household equipment. A woman came twice a week to clean, send out the
linen, and make up the beds.
Public-domain text, read in full here on John Shaqi.
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