Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
The discovery of these letters now checked the feeling, with which she
tried to delude herself at times, that there might be anything more than
kindness here. They confirmed her suspicions that there was not and
brought on that sense of defeat and despair which so often and so
tragically overcame her. It did it at a time, too, when Eugene needed
her undivided consideration and feeling, for he was in a wretched state
of mind. To have her quarrel with him now, lose her temper, fly into
rages and compel him to console her, was very trying. He was in no mood
for it; could not very well endure it without injury to himself. He was
seeking for an atmosphere of joyousness, wishing to find a cheerful
optimism somewhere which would pull him out of himself and make him
whole. Not infrequently he dropped in to see Norma Whitmore, Isadora
Crane, who was getting along very well on the stage, Hedda Andersen, who
had a natural charm of intellect with much vivacity, even though she was
a model, and now and then Miriam Finch. The latter was glad to see him
alone, almost as a testimony against Angela, though she would not go out
of her way to conceal from Angela the fact that he had been there. The
others, though he said nothing, assumed that since Angela did not come
with him he wanted nothing said and observed his wish. They were
inclined to think that he had made a matrimonial mistake and was
possibly artistically or intellectually lonely. All of them noted his
decline in health with considerate apprehension and sorrow. It was too
bad, they thought, if his health was going to fail him just at this
time. Eugene lived in fear lest Angela should become aware of any of
these visits. He thought he could not tell her because in the first
place she would resent his not having taken her with him; and in the
next, if he had proposed it first, she would have objected, or set
another date, or asked pointless questions. He liked the liberty of
going where he pleased, saying nothing, not feeling it necessary to say
anything. He longed for the freedom of his old pre-matrimonial days.
Just at this time, because he could not work artistically and because he
was in need of diversion and of joyous artistic palaver, he was
especially miserable. Life seemed very dark and ugly.
Eugene, returning and feeling, as usual, depressed about his state,
sought to find consolation in her company. He came in at one o'clock,
their usual lunch hour, and finding Angela still working, said, "George!
but you like to keep at things when you get started, don't you? You're a
regular little work-horse. Having much trouble?"
"No-o," replied Angela, dubiously.
Eugene noted the tone of her voice. He thought she was not very strong
and this packing was getting on her nerves. Fortunately there were only
some trunks to look after, for the vast mass of their housekeeping
materials belonged to the studio. Still no doubt she was weary.
"Are you very tired?" he asked.
"No-o," she replied.
Public-domain text, read in full here on John Shaqi.
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