Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
The opportunity for further meetings seemed to come about quite
naturally. The Witla boathouse, where the family kept one small boat,
was at the foot of the Roth lawn, reached by a slightly used lane which
came down that side of the house; and also by a grape-arbor which
concealed the lake from the lower end of the house and made a sheltered
walk to the waterside, at the end of which was a weather-beaten wooden
bench. Eugene came here sometimes to get the boat to row or to fish. On
several occasions Angela had accompanied him, but she did not care much
for rowing or fishing and was perfectly willing that he should go alone
if he wanted to. There was also the friendship of Miss Roth for Mr. and
Mrs. Witla, which occasionally brought her and Frieda to the house. And
Frieda came from time to time to his studio in the barn, to see him
paint. Because of her youth and innocence Angela thought very little of
her presence there, which struck Eugene as extremely fortunate. He was
interested in her charms, anxious to make love to her in a philandering
sort of way, without intending to do her any harm. It struck him as a
little curious that he should find her living so near the spot where
once upon a winter's night he had made love to Stella. There was
something not unlike Stella about her, though she was softer, more whole
souledly genial and pliable to his moods.
He saw her one day, when he went for his boat, standing out in the yard,
and she came down to the waterside to greet him.
"Well," he said, smiling at her fresh morning appearance, and addressing
her with that easy familiarity with which he knew how to take youth and
life generally, "we're looking as bright as a butterfly. I don't suppose
we butterflies have to work very hard, do we?"
"Oh, don't we," replied Frieda. "That's all you know."
"Well, I don't know, that's true, but perhaps one of these butterflies
will tell me. Now you, for instance."
Frieda smiled. She scarcely knew how to take him, but she thought he was
delightful. She hadn't the faintest conception either of the depth and
subtlety of his nature or of the genial, kindly inconstancy of it. She
only saw him as a handsome, smiling man, not at all too old, witty,
good-natured, here by the bright green waters of this lake, pulling out
his boat. He looked so cheerful to her, so care free. She had him
indissolubly mixed in her impressions with the freshness of the ground,
the newness of the grass, the brightness of the sky, the chirping of the
birds and even the little scintillating ripples on the water.
"Butterflies never work, that I know," he said, refusing to take her
seriously. "They just dance around in the sunlight and have a good time.
Did you ever talk to a butterfly about that?"
Frieda merely smiled at him.
He pushed his boat into the water, holding it lightly by a rope, got
down a pair of oars from a rack and stepped into it. Then he stood there
looking at her.
"Have you lived in Alexandria long?" he asked.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account