Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
The days went on and various little meetings--some accidental, some
premeditated--took place between Eugene and Frieda. There was one
afternoon when he was at his sister's and she came there to get a
pattern for her foster-mother from Sylvia. She lingered for over an
hour, during which time Eugene had opportunities to kiss her a dozen
times. The beauty of her eyes and her smile haunted him after she was
gone. There was another time when he saw her at dusk near his boathouse,
and kissed her in the shadow of the sheltering grape-arbor. In his own
home there were clandestine moments and in his studio, the barn loft,
for Frieda made occasion a few times to come to him--a promise to make a
sketch of her being the excuse. Angela resented this, but she could not
prevent it. In the main Frieda exhibited that curious patience in love
which women so customarily exhibit and which a man can never understand.
She could wait for her own to come to her--for him to find her; while
he, with that curious avidness of the male in love, burned as a fed fire
to see her. He was jealous of the little innocent walks she took with
boys she knew. The fact that it was necessary for her to be away from
him was a great deprivation. The fact that he was married to Angela was
a horrible disaster. He would look at Angela, when she was with him,
preventing him from his freedom in love, with almost calculated hate in
his eyes. Why had he married her? As for Frieda, when she was near, and
he could not draw near her, his eyes followed her movements with a
yearning, devouring glance. He was fairly beside himself with anguish
under the spell of her beauty. Frieda had no notion of the consuming
flame she had engendered.
It was a simple thing to walk home with her from the post-office--quite
accidentally on several occasions. It was a fortuitous thing that Anna
Roth should invite Angela and himself, as well as his father and mother,
to her house to dinner. On one occasion when Frieda was visiting at the
Witla homestead, Angela thought Frieda stepped away from Eugene in a
curiously disturbed manner when she came into the parlor. She was not
sure. Frieda hung round him in a good-natured way most of the time when
various members of the family were present. She wondered if by any
chance he was making love to her, but she could not prove it. She tried
to watch them from then on, but Eugene was so subtle, Frieda so
circumspect, that she never did obtain any direct testimony.
Nevertheless, before they left Alexandria there was a weeping scene over
this, hysterical, tempestuous, in which she accused him of making love
to Frieda, he denying it stoutly.
"If it wasn't for your relatives' sake," she declared, "I would accuse
her to her face, here before your eyes. She couldn't dare deny it."
"Oh, you're crazy," said Eugene. "You're the most suspicious woman I
ever knew. Good Lord! Can't I look at a woman any more? This little
girl! Can't I even be nice to her?"
Public-domain text, read in full here on John Shaqi.
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