Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
Other art dealers he did not care to trust with his paintings on sale,
and he was now ashamed to start carrying them about to the magazines,
where at least one hundred and twenty-five to one hundred and fifty per
picture might be expected for them, if they were sold at all. He did not
want the magazine art world to think that he had come to this. His best
friend was Hudson Dula, and he might no longer be Art Director of
_Truth_. As a matter of fact Dula was no longer there. Then there were
Jan Jansen and several others, but they were no doubt thinking of him
now as a successful painter. It seemed as though his natural pride were
building insurmountable barriers for him. How was he to live if he could
not do this and could not paint? He decided on trying the small art
dealers with a single picture, offering to sell it outright. They might
not recognize him and so might buy it direct. He could accept, in such
cases, without much shock to his pride, anything which they might offer,
if it were not too little.
He tried this one bright morning in May, and though it was not without
result it spoiled the beautiful day for him. He took one picture, a New
York scene, and carried it to a third rate art dealer whose place he had
seen in upper Sixth Avenue, and without saying anything about himself
asked if he would like to buy it. The proprietor, a small, dark
individual of Semitic extraction, looked at him curiously and at his
picture. He could tell from a single look that Eugene was in trouble,
that he needed money and that he was anxious to sell his picture. He
thought of course that he would take anything for it and he was not sure
that he wanted the picture at that. It was not very popular in theme, a
view of a famous Sixth Avenue restaurant showing behind the track of the
L road, with a driving rain pouring in between the interstices of light.
Years after this picture was picked up by a collector from Kansas City
at an old furniture sale and hung among his gems, but this morning its
merits were not very much in evidence.
"I see that you occasionally exhibit a painting in your window for sale.
Do you buy originals?"
"Now and again," said the man indifferently--"not often. What have you?"
"I have an oil here that I painted not so long ago. I occasionally do
these things. I thought maybe you would like to buy it."
The proprietor stood by indifferently while Eugene untied the string,
took off the paper and stood the picture up for inspection. It was
striking enough in its way but it did not appeal to him as being
popular. "I don't think it's anything that I could sell here," he
remarked, shrugging his shoulders. "It's good, but we don't have much
call for pictures of any kind. If it were a straight landscape or a
marine or a figure of some kind--. Figures sell best. But this--I doubt
if I could get rid of it. You might leave it on sale if you want to.
Somebody might like it. I don't think I'd care to buy it."
Public-domain text, read in full here on John Shaqi.
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