Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
The problem of finding a room was not so easy. He followed the track
south to a settlement which was visible from the shop windows a quarter
of a mile away, and finding nothing which suited his taste as to
location, returned to Speonk proper and followed the little creek inland
half a mile. This adventure delighted him for it revealed a semi-circle
of charming cottages ranged upon a hill slope which had for its
footstool the little silvery-bosomed stream. Between the stream and the
hill slope ran a semi-circular road and above that another road. Eugene
could see at a glance that here was middle class prosperity, smooth
lawns, bright awnings, flower pots of blue and yellow and green upon the
porches, doorsteps and verandas. An auto standing in front of one house
indicated a certain familiarity with the ways of the rich, and a summer
road house, situated at the intersection of a road leading out from New
York and the little stream where it was crossed by a bridge, indicated
that the charms of this village were not unknown to those who came
touring and seeking for pleasure. The road house itself was hung with
awnings and one dining balcony out over the water. Eugene's desire was
fixed on this village at once. He wanted to live here--anywhere in it.
He walked about under the cool shade of the trees looking at first one
door yard and then another wishing that he might introduce himself by
letter and be received. They ought to welcome an artist of his ability
and refinement and would, he thought, if they knew. His working in a
furniture factory or for the railroad as a day laborer for his health
simply added to his picturesque character. In his wanderings he finally
came upon a Methodist church quaintly built of red brick and grey stone
trimmings, and the sight of its tall, stained glass windows and square
fortress-like bell-tower gave him an idea. Why not appeal to the
minister? He could explain to him what he wanted, show him his
credentials--for he had with him old letters from editors, publishers
and art houses--and give him a clear understanding as to why he wanted
to come here at all. His ill health and distinction ought to appeal to
this man, and he would probably direct him to some one who would gladly
have him. At five in the afternoon he knocked at the door and was
received in the pastor's study--a large still room in which a few flies
were buzzing in the shaded light. In a few moments the minister himself
came in--a tall, grey-headed man, severely simple in his attire and with
the easy air of one who is used to public address. He was about to ask
what he could do for him when Eugene began with his explanation.
Public-domain text, read in full here on John Shaqi.
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