Because he was not so far out of his troubles that he could be forgetful of them, and because he was not at all certain that his talent to paint was ever coming back to him, he was not as cheerful at times as he might have been; but he managed to conceal it pretty well. This one thought with its attendant ills of probable poverty and obscurity were terrible to him. Time was slipping away and youth. But when he was not thinking of this he was cheerful enough. Besides he had the ability to simulate cheerfulness even when he did not feel it. Because he did not permanently belong to this world of day labor and because his position which had been given him as a favor was moderately secure, he felt superior to everything about him. He did not wish to show this feeling in any way--was very anxious as a matter of fact to conceal it, but his sense of superiority and ultimate indifference to all these petty details was an abiding thought with him. He went to and fro carrying a basket of shavings, jesting with "the village smith," making friends with "Big John," the engineer, with Joseph, Malachi Dempsey, little Jimmy Sudds, in fact anyone and everyone who came near him who would be friends. He took a pencil one day at the noon hour and made a sketch of Harry Fornes, the blacksmith, his arm upraised at the anvil, his helper, Jimmy Sudds, standing behind him, the fire glowing in the forge. Fornes, who was standing beside him, looking over his shoulder, could scarcely believe his eyes. "Wotcha doin'?" he asked Eugene curiously, looking over his shoulder, for it was at the blacksmith's table, in the sun of his window that he was sitting, looking out at the water. Eugene had bought a lunch box and was carrying with him daily a delectable lunch put up under Mrs. Hibberdell's direction. He had eaten his noonday meal and was idling, thinking over the beauty of the scene, his peculiar position, the curiosities of this shop--anything and everything that came into his head. "Wait a minute," he said genially, for he and the smith were already as thick as thieves. The latter gazed interestedly and finally exclaimed: "W'y that's me, ain't it?" "Yep!" said Eugene. "Wat are you goin' to do with that wen you get through with it?" asked the latter avariciously. "I'm going to give it to you, of course." "Say, I'm much obliged fer that," replied the smith delightedly. "Gee, the wife'll be tickled to see that. You're a artist, ain't cher? I hearda them fellers. I never saw one. Gee, that's good, that looks just like me, don't it?" "Something," said Eugene quietly, still working. The helper came in. "Watcha' doin'?" he asked. "He's drawin' a pitcher, ya rube, watchye suppose he's doin'," informed the blacksmith authoritatively. "Don't git too close. He's gotta have room."