Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
"Nothing," he said nervously. "A memorandum. Throw it in the paper box."
Angela noted the peculiarity of his voice and manner. She was taken by
the guilty expression of his eyes. Something was wrong. It concerned
these scraps of paper. Maybe it was in these she would be able to read
the riddle of his conduct. The woman's name might be in here. Like a
flash it came to her that she might piece these scraps together, but
there was another thought equally swift which urged her to pretend
indifference. That might help her. Pretend now and she would know more
later. She threw them in the paper box, thinking to piece them together
at her leisure. Eugene noted her hesitation, her suspicion. He was
afraid she would do something, what he could not guess. He breathed more
easily when the papers fluttered into the practically empty box, but he
was nervous. If they were only burned! He did not think she would
attempt to put them together, but he was afraid. He would have given
anything if his sense of romance had not led him into this trap.
CHAPTER XXVII
Angela was quick to act upon her thought. No sooner had Eugene entered
the bath than she gathered up the pieces, threw other bits of paper like
them in their place and tried quickly to piece them together on the
ironing board where she was. It was not difficult; the scraps were not
small. On one triangular bit were the words, "Oh, Genie!" with a colon
after it; on another the words, "The bridge," and on another "Roses."
There was no doubt in her mind from this preliminary survey that this
was a love note, and every nerve in her body tingled to the terrible
import of it. Could it really be true? Could Eugene have found someone
else? Was this the cause of his coolness and his hypocritical pretence
of affection? and of his not wanting her to come to him? Oh, God! Would
her sufferings never cease! She hurried into the front room, her face
white, her hand clenching the tell-tale bits, and there set to work to
complete her task. It did not take her long. In four minutes it was all
together, and then she saw it all. A love note! From some demon of a
woman. No doubt of it! Some mysterious woman in the background. "Ashes
of Roses!" Now God curse her for a siren, a love thief, a hypnotizing
snake, fascinating men with her evil eyes. And Eugene! The dog! The
scoundrel! The vile coward! The traitor! Was there no decency, no
morality, no kindness, no gratitude in his soul? After all her patience,
all her suffering, all her loneliness, her poverty. To treat her like
this! Writing that he was sick and lonely and unable to have her with
him, and at the same time running around with a strange woman. "Ashes of
Roses!" Oh, curses, curses, curses on her harlot's heart and brain!
Might God strike her dead for her cynical, brutal seizing upon that
sacred possession which belonged to another. She wrung her hands
desperately.
Public-domain text, read in full here on John Shaqi.
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