Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
"My God!" exclaimed the chief clerk, when Eugene explained that Deegan
had thought that he might leave the bolts at the station where they
would be safe until he needed them and then sign for them when he took
them out. He ran his hands distractedly through his hair. "What do you
think of that?" he exclaimed. "He'll leave them there until he needs
them, will he? What becomes of my reports? I've got to have those
O. K.'s. You tell Deegan he ought to know better than that; he's been
long enough on the road. You tell him that I said that I want a signed
form for everything consigned to him the moment he learns that it's
waiting for him. And I want it without fail. Let him go and get it. The
gall! He's got to come to time about this, or something's going to drop.
I'm not going to stand it any longer. You'd better help him in this.
I've got to make out my reports on time."
Eugene agreed that he would. This was his field. He could help Deegan.
He could be really useful.
Time passed. The weather grew colder, and while the work was interesting
at first, like all other things it began after a time to grow
monotonous. It was nice enough when the weather was fine to stand out
under the trees, where some culvert was being built to bridge a small
rivulet or some well to supply the freight engines with water, and
survey the surrounding landscape; but when the weather grew colder it
was not so nice. Deegan was always interesting. He was forever raising a
ruction. He lived a life of hard, narrow activity laid among boards,
wheelbarrows, cement, stone, a life which concerned construction and had
no particular joy in fruition. The moment a thing was nicely finished
they had to leave it and go where everything would be torn up again.
Eugene used to look at the wounded ground, the piles of yellow mud, the
dirty Italians, clean enough in their spirit, but soiled and gnarled by
their labor, and wonder how much longer he could stand it. To think that
he, of all men, should be here working with Deegan and the _guineas_! He
became lonesome at times--terribly, and sad. He longed for Carlotta,
longed for a beautiful studio, longed for a luxurious, artistic life. It
seemed that life had wronged him terribly, and yet he could do nothing
about it. He had no money-making capacity.
About this time the construction of a rather pretentious machine shop,
two hundred by two hundred feet and four storeys high was assigned to
Deegan, largely because of the efficiency which Eugene contributed to
Deegan's work. Eugene handled his reports and accounts with rapidity and
precision, and this so soothed the division management that they had an
opportunity to see Deegan's real worth. The latter was beside himself
with excitement, anticipating great credit and distinction for the work
he was now to be permitted to do.
Public-domain text, read in full here on John Shaqi.
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